Rahul Deshpande's ' "Dil Ki Tapish" was released on its scheduled release date, July 9, 2015. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Dil Ki Tapish's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Shankar-Ehsaan-Loy, Jitendra Abhisheki's "Katyar Kaljat Ghusli (Original Motion Picture Soundtrack)" album is number 2 out of 17. On top of that, India appears to be the country where this track was created. In terms of popularity, Dil Ki Tapish is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Dil Ki Tapish by Rahul Deshpande to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gandh Tujhya Pavalancha (From 'Nanachhand') | Rahul Deshpande, Nilesh Moharir, Nana Patekar | D♭ Major | 3 | 3B | 114 BPM | ||
| Kanada Raja Pandharicha | Rahul Deshpande, Jayateerth Mevundi, Bhuvanesh Komkali | F Minor | 7 | 4A | 105 BPM | ||
| Jar Tar Cha Gana | Priya Bapat | F♯ Major | 2 | 2B | 148 BPM | ||
| Man Shevantiche Phool | Deepti Mate | A Major | 4 | 11B | 120 BPM | ||
| Shri Swami Samartha (From "Savita Damodar Paranjpe") | Adarsh Shinde, Swapnil Bandodkar, Amitraj | D Major | 6 | 10B | 122 BPM | ||
| Din Pareshan | Avadhoot Gupte | D♭ Major | 5 | 3B | 83 BPM | ||
| Muralidhar Shyam | Shankar Mahadevan | A Major | 4 | 11B | 111 BPM | ||
| Marmabandhatli Thev Hi | Bharat Balvalli | F Major | 5 | 7B | 178 BPM | ||
| Ja dile mann tula | Salil Kulkarni | B Major | 5 | 1B | 150 BPM | ||
| Galavar Khali | Swapnil Bandodkar | G Major | 8 | 9B | 172 BPM | ||
| Deve Thevile Taise Rahave | Anand Bhate | B Major | 5 | 1B | 97 BPM | ||
| Jaljale | Avadhoot Gupte | G Major | 4 | 9B | 89 BPM | ||
| Vrukshawalli Amha Soyare Vanachare (From "Tukaram") | Ashok Patki, Anirudha Joshi | D♭ Major | 7 | 3B | 91 BPM | ||
| Rupas Bhalalo Mee | Asha Bhosle, Sudhir Phadke | B♭ Major | 3 | 6B | 80 BPM | ||
| Jata Pandharisi Sukh Vate Jeeva | Bhimsen Joshi | D Major | 3 | 10B | 73 BPM | ||
| Phite Andharache Jaale | Sudhir Phadke, Asha Bhosle | G Minor | 4 | 6A | 92 BPM | ||
| Paravashta Pash Daive | Anand Bhate | B♭ Major | 7 | 6B | 130 BPM | ||
| Jaganyacha Paaya Chalanache Bal (From "Tukaram") | Ashok Patki, Dnyaneshwar Meshram | G Minor | 7 | 6A | 97 BPM | ||
| Kaya Hi Pandhari | Bhimsen Joshi | D Major | 3 | 10B | 104 BPM | ||
| O Rahi Re | Shankar Mahadevan, Shankar-Ehsaan-Loy, Javed Akhtar | C Major | 5 | 8B | 88 BPM | ||
| Sur Tech Chhedita | Mahendra Kapoor | B Minor | 3 | 10A | 75 BPM | ||
| Aali Kuthunashi Kaani | Vasant Ajgaonkar | G Major | 4 | 9B | 84 BPM | ||
| O Raaje (From "Mee Shivajiraje Bhosale Boltoy") | Sukhwinder Singh | D Major | 9 | 10B | 105 BPM | ||
| Indrayani Kathi | Jayateerth Mevundi | E Major | 6 | 12B | 158 BPM | ||
| Tejonidhi Lohagol | Shankar Mahadevan | A Major | 4 | 11B | 111 BPM |