Endwell's 'Welcome Inferno: Wrathful And Sullen' had a release date set for April 20, 2009. Welcome Inferno: Wrathful And Sullen is explicit and may not be suitable for children. With the duration being about 3:41, this song is close to the average duration of a typical track. The song is number 10 out of 15 in Consequences by Endwell. Welcome Inferno: Wrathful And Sullen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Welcome Inferno: Wrathful And Sullen by Endwell is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Negative Pressure | Endwell | A Minor | 9 | 8A | 165 BPM | ||
| Sleeping In the Train Yard | Gwen Stacy | C Minor | 9 | 5A | 125 BPM | ||
| Icarus Syndrome | Jealous Turbo | F Minor | 8 | 4A | 121 BPM | ||
| Hello Astronaut | Oceana | A Major | 10 | 11B | 155 BPM | ||
| We Go To Eleven | A Static Lullaby | G Major | 9 | 9B | 84 BPM | ||
| Walk On | Haste The Day | B♭ Minor | 10 | 3A | 100 BPM | ||
| Things Too Visible To See | Of Machines | D Minor | 9 | 7A | 170 BPM | ||
| The Walls Between Us | Paddock Park | G Minor | 9 | 6A | 174 BPM | ||
| Avoidant: Ghost Will Haunt | Endwell | D Major | 10 | 10B | 196 BPM | ||
| In Oceans | Agraceful | A♭ Major | 9 | 4B | 82 BPM | ||
| Pawn Shop Promises | Across Five Aprils | G Major | 9 | 9B | 85 BPM | ||
| Vanus Empty | Dead Poetic | A Major | 9 | 11B | 100 BPM | ||
| The Bridge: Blues Man's Cross Roads | Endwell | D Major | 10 | 10B | 130 BPM | ||
| A Dialogue | Gwen Stacy | G Major | 9 | 9B | 180 BPM | ||
| In A Name | Hand To Hand | B♭ Major | 9 | 6B | 177 BPM | ||
| XOXOXO | Secret & Whisper | A♭ Major | 10 | 4B | 132 BPM | ||
| Paved Gold With Good Intentions | Gwen Stacy | C Major | 9 | 8B | 180 BPM | ||
| An Anomaly | It Prevails | D♭ Major | 10 | 3B | 125 BPM | ||
| Inner Pattern | Beloved | F♯ Minor | 10 | 11A | 86 BPM | ||
| Monumental Treason | From A Second Story Window | B♭ Major | 10 | 6B | 92 BPM | ||
| Latnemurtsni | Catherine | F Minor | 9 | 4A | 128 BPM | ||
| Cheyenne | Settle The Sky | D♭ Major | 9 | 3B | 144 BPM | ||
| Defect From Decay | Beloved | E Minor | 10 | 9A | 149 BPM | ||
| Reason To Fake | Ten After Two | A♭ Major | 9 | 4B | 128 BPM | ||
| Waiting For The Heavens | Eighteen Visions | F♯ Major | 9 | 2B | 158 BPM |