Sandhya Mukherjee, Rama Devi, Dhananjay Bhattacharya, Tarun Banerjee's 'Param Shanti Krishnakanti' had a release date set for January 1, 1981. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sailesh Dutta Gupta, Sailesh Roy's "Meera Bai" album is number 12 out of 15. On top of that, India appears to be the country where this track was created. The popularity of Param Shanti Krishnakanti is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Param Shanti Krishnakanti by Sandhya Mukherjee, Rama Devi, Dhananjay Bhattacharya, Tarun Banerjee to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tabo Achintya Rupa-Charita-Mahima | Manabendra Mukherjee | B♭ Major | 3 | 6B | 137 BPM | ||
| Nijhum Sandhaye Pantha | Lata Mangeshkar | D♭ Major | 1 | 3B | 72 BPM | ||
| Na Bole Esechhi | Aarti Mukherji | E Minor | 4 | 9A | 111 BPM | ||
| Bidhi Tumi Bole Daw - Original Motion Picture Soundtrack | Andrew Kishore, Kanak Chapa, Biplob | C Minor | 8 | 5A | 93 BPM | ||
| Ke Tumi Amare Dako | Sandhya Mukherjee | A Major | 5 | 11B | 100 BPM | ||
| Ei Besh Bhalo Achhi | Nachiketa Chakraborty | C Minor | 5 | 5A | 121 BPM | ||
| Anmone Amake Bhabo | Rupankar | B♭ Major | 6 | 6B | 152 BPM | ||
| Kagajer Phul Bole | Nirmala Mishra, Nachiketa Ghosh | F♯ Major | 2 | 2B | 73 BPM | ||
| O Amar Mon Jamunar Ange Ange | Manna Dey | C Major | 3 | 8B | 71 BPM | ||
| Amar Sonar Harin Chai | Uttam Kumar | F Major | 2 | 7B | 64 BPM | ||
| Sagar Sangame | Bhupen Hazarika | E♭ Major | 5 | 5B | 118 BPM | ||
| She Keno Amay | Pankaj Udhas | F♯ Major | 4 | 2B | 132 BPM | ||
| Jhilmil Jhilmil Jhiler Jale | S. D. Burman | A♭ Major | 3 | 4B | 89 BPM | ||
| O Dayal Bichar Karo | Akhil Bandhu Ghosh | E♭ Major | 4 | 5B | 159 BPM | ||
| Aha Ki Ananda | Anup Ghoshal | D♭ Major | 4 | 3B | 80 BPM | ||
| Amar Moner Koner | Subhamita | B♭ Major | 4 | 6B | 144 BPM | ||
| Ek Ekke Ek | Sanat Sinha | D Major | 4 | 10B | 175 BPM | ||
| Shokatore Oi Kadite | Rezwana Choudhury Bannya | D♭ Major | 4 | 3B | 138 BPM | ||
| Anondo Loke | Rezwana Choudhury Bannya | B Major | 3 | 1B | 101 BPM | ||
| Nohi Jantra | Anup Ghoshal | G Major | 2 | 9B | 114 BPM | ||
| Tumi Amar Koto Chena-Version-1 | Sabina Yasmin, Andrew Kishore | D♭ Major | 4 | 3B | 96 BPM | ||
| Oi Je Aakasher Gaye | Akhil Bandhu Ghosh | C Major | 2 | 8B | 122 BPM | ||
| Hariye Jete Jete | Aarti Mukherji | E Minor | 3 | 9A | 111 BPM | ||
| Prem Esechhilo Nihshabda Charone | Sagar Sen | F♯ Minor | 2 | 11A | 128 BPM | ||
| Katoi Ranga Dekhi Duniyay | Amar Paul | C Major | 2 | 8B | 83 BPM |