"Damsels & 'Good Guys'" by Anthony Willis had its release date on December 18, 2020. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Promising Young Woman (Original Motion Picture Score)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. The popularity of Damsels & 'Good Guys' is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Damsels & 'Good Guys' by Anthony Willis having a BPM of 181 with a half-time of 90 BPM and a double-time of 362 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bus Stop Billie | Mark Ronson, Andrew Wyatt | F Major | 0 | 7B | 92 BPM | ||
| Epilogue Part II | Kevin Kiner | E Minor | 1 | 9A | 47 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Still Vibrating | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Never Going Back | Ari Posner, Amin Bhatia | F Minor | 2 | 4A | 95 BPM | ||
| Ryan | Anthony Willis | D♭ Minor | 0 | 12A | 50 BPM | ||
| The Kiss | Nicholas Hooper | E♭ Major | 0 | 5B | 91 BPM | ||
| The Friends | Nicholas Hooper | C Major | 1 | 8B | 74 BPM | ||
| An Ending | Mark Ronson, Andrew Wyatt | D♭ Major | 5 | 3B | 115 BPM | ||
| The Chase | Amelia Warner | E Minor | 1 | 9A | 66 BPM | ||
| Skype Sweet | Stephen Rennicks | D♭ Major | 3 | 3B | 127 BPM | ||
| Different Kinds Of Cry | Alexis Grapsas | B♭ Major | 0 | 6B | 84 BPM | ||
| Hunting | Alexis Grapsas, Philip Klein | D Major | 1 | 10B | 91 BPM | ||
| The Heath | Dan Romer | A♭ Major | 1 | 4B | 75 BPM | ||
| Nick and Offred | Adam Taylor | F♯ Major | 0 | 2B | 171 BPM | ||
| I Fall Into Disgrace | Christopher Willis | G Minor | 3 | 6A | 0 BPM | ||
| Mad | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 88 BPM | ||
| Marian Brook | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| Growing Up Haywood | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Talk About Something | Anne Nikitin, Jessica Jones, Tim Morrish | A♭ Major | 0 | 4B | 140 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Supper at Six | Carlos Rafael Rivera | G Major | 6 | 9B | 90 BPM | ||
| Baby Davy | Christopher Willis | C Major | 2 | 8B | 90 BPM | ||
| My Own Story | Christopher Willis | A Minor | 4 | 8A | 134 BPM |