On March 1, 2014, the song "Kaya Man Ram Bhajan" was released by Munna Saini, Parvati Rajput. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Munna Saini, Parvati Rajput's "Jatashankar Anmol Vachan (Pt. 5)" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Kaya Man Ram Bhajan is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kaya Man Ram Bhajan by Munna Saini, Parvati Rajput to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Daya Ki Aas Mein Bhagwan Tere Darbar Aaya Hu | Dhiraj Kant | B♭ Minor | 7 | 3A | 99 BPM | ||
| Vijali Ne Chamkare Motida Parovi Santo | Damyanti Bardai | B Major | 7 | 1B | 105 BPM | ||
| Mainu Ke Pata Maa Ki Ki Kari | Narendra Chanchal | D♭ Major | 9 | 3B | 95 BPM | ||
| Jo Bala Jo Jo | Anand Shinde | A♭ Major | 5 | 4B | 169 BPM | ||
| dukhiyaari ubi khet me | Beejal Khan | F♯ Major | 7 | 2B | 97 BPM | ||
| Phir Se Ek Baar Haar Aaya Hoon | Rajni Rajasthani | D♭ Minor | 6 | 12A | 102 BPM | ||
| YAMUNA JAL MA KESHAR | Nidhi Dholkiya | A Major | 9 | 11B | 83 BPM | ||
| Lad Gai Lad Gai Shyam Naal | Deepa Didi | B Major | 9 | 1B | 136 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Hurani Ko Din | Pammy Nawal | F Major | 9 | 7B | 140 BPM | ||
| Mast Magan (From "2 States) | Arijit Singh, Chinmayi | G Major | 8 | 9B | 83 BPM | ||
| Hum Hain Shyam Ke Pyare | Sanjay Mittal | B♭ Minor | 7 | 3A | 86 BPM | ||
| Radhe Radhe Rato Chale Aayenge Bihari | Sonal Gadhvi | D♭ Major | 9 | 3B | 142 BPM | ||
| Bahi Bana Diye | Mamta Chandarkar | F Major | 7 | 7B | 150 BPM | ||
| A Bhai Tike Najar | Subhasish Mahakud | G Major | 10 | 9B | 140 BPM | ||
| Chhapi Da Ye Nando Kamar Par Haradiya | Karina Pandey, Sovita Pandey | A♭ Minor | 6 | 1A | 140 BPM | ||
| O Dil Tod Ke Hansti Ho Mera (From "Bewafa Sanam") | Udit Narayan | G Minor | 7 | 6A | 104 BPM | ||
| Karaar Pa Na Sake Hum To | Attaullah Khan | D♭ Major | 6 | 3B | 105 BPM | ||
| Evu Shree Vallabh Prabhunu Naam-Shree Vallabhacharya Prarthna | Nidhi Dholakia, Nitin Devka | A♭ Major | 6 | 4B | 136 BPM | ||
| Tere Dar Ko Main Chhod Kahaan Jaun | Ram Kumar Lakkha | C Minor | 9 | 5A | 95 BPM | ||
| Yedbai Ambabai Kheltat Zimma Fugadi | Jagdish Gorase | A♭ Minor | 5 | 1A | 121 BPM | ||
| Bhari De Saburi Kalasha | Kumar Kirti | A♭ Minor | 4 | 1A | 144 BPM | ||
| Aanchar Bheej Gail - Purvi Classical Folk | Kalpana Patowary | E♭ Major | 7 | 5B | 100 BPM | ||
| Bhimrayamule Budh Milale | Anand Shinde, Milind Shinde | A♭ Major | 6 | 4B | 162 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM |