Wolverines's ' "The Greatest Lie Ever Told" was released on its scheduled release date, January 7, 2011. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolverines's "Making Tracks" album is number 11 out of 13. On top of that, Australia appears to be the country where this track was created. In terms of popularity, The Greatest Lie Ever Told is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Greatest Lie Ever Told by Wolverines to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beer & Women | Steve Forde | G Major | 10 | 9B | 194 BPM | ||
| I Taught Her That | Kevin Bloody Wilson | D♭ Major | 7 | 3B | 95 BPM | ||
| No More Holdens | Simply Bushed | G Major | 6 | 9B | 93 BPM | ||
| When I Was A Boy | Greg Storer, Sara Storer | E Minor | 7 | 9A | 104 BPM | ||
| Girls out Here | Beccy Cole | D Major | 7 | 10B | 139 BPM | ||
| Bush Oysters | Jeff Brown | G Major | 5 | 9B | 119 BPM | ||
| Don't Welcome Me (To My Own Country) | The Emily James Trio | E Major | 7 | 12B | 144 BPM | ||
| Circle Of Sawdust | Reg Poole | B♭ Major | 7 | 6B | 97 BPM | ||
| Under the Influence of Love | Gina Jeffreys | B Major | 7 | 1B | 150 BPM | ||
| Hard Times / Way Out West | James Blundell, James Reyne | G Major | 8 | 9B | 124 BPM | ||
| Fuckwit | Jenny Talia | A Major | 6 | 11B | 182 BPM | ||
| Drovers' Call | Sara Storer | D Major | 4 | 10B | 83 BPM | ||
| Lifeboat - Live | Beccy Cole | F Major | 4 | 7B | 91 BPM | ||
| Fools Paradise | The Warratahs | A Major | 7 | 11B | 142 BPM | ||
| Fight Me | McAlister Kemp | A Major | 7 | 11B | 113 BPM | ||
| Road Train | Paul Costa | G Major | 4 | 9B | 115 BPM | ||
| Ol" Man From The Bush | Pigram Brothers | D Major | 5 | 10B | 120 BPM | ||
| From The Ashes | Matt Scullion, Col Finley | A Major | 4 | 11B | 93 BPM | ||
| Anzac Biscuits | John Schumann and the Vagabond Crew | B Minor | 5 | 10A | 82 BPM | ||
| Old Akubra | Dean Perrett | E Major | 6 | 12B | 99 BPM | ||
| Angel Of The Morning | Melinda Schneider, Beccy Cole | A♭ Major | 3 | 4B | 77 BPM | ||
| Queer Darned Cattle / These Women | Chad Morgan | G Major | 6 | 9B | 113 BPM | ||
| Drinkin' Hours | Paul Costa | B♭ Major | 8 | 6B | 117 BPM | ||
| I Love You So Rebecca | Johnny Chester | B Major | 7 | 1B | 131 BPM | ||
| Places I've Been | Dallas Steele | D Major | 5 | 10B | 149 BPM |