"Victoria" by Ran Blake, Jaki Byard had its release date on December 31, 1981. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ran Blake, Jaki Byard's "Improvisations" album is number 6 out of 7. On top of that, Italy appears to be the country where this track was created. Victoria is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Victoria by Ran Blake, Jaki Byard to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You Don't Have to Say You're Sorry | Chico Freeman, Cecil McBee, John Hicks, Billy Hart | D Major | 0 | 10B | 138 BPM | ||
| In a Sentimental Mood | Jessica Williams | D Minor | 1 | 7A | 80 BPM | ||
| So Low | Jimmy Giuffre | A♭ Major | 1 | 4B | 70 BPM | ||
| Whinin' Boy Blues | Adrian Cox, Honey Boulton, Alex Gilson | E♭ Major | 2 | 5B | 74 BPM | ||
| Ode To Bach | Tia Fuller, Shamie Royston, Fuller Sound | E♭ Major | 2 | 5B | 74 BPM | ||
| Twilight Tide Groove | Mystique Melody | F Major | 2 | 7B | 90 BPM | ||
| The Barbara Song | Gil Evans | F Minor | 1 | 4A | 89 BPM | ||
| Samadhi | Jacám Manricks, Clarence Penn, Joe Gilman, Matt Penman | C Major | 3 | 8B | 195 BPM | ||
| Rruga | Colin Vallon, Patrice Moret, Samuel Rohrer | E♭ Minor | 3 | 2A | 120 BPM | ||
| Impro dosh parte 1 | BeastyBass | G Minor | 0 | 6A | 77 BPM | ||
| 24 Jazz Preludes, Op. 53: No. 16, Andantino | Nikolai Kapustin, Ophelia Gordon | A♭ Major | 3 | 4B | 96 BPM | ||
| O Que Sera | Antonio Faraò | E♭ Major | 2 | 5B | 74 BPM | ||
| Up, Up, Up, Up, Up, Up | Julia Hülsmann Octet | E♭ Major | 2 | 5B | 74 BPM | ||
| Flash mémoire | Henri Texier, Aldo Romano, Louis Sclavis | D♭ Major | 3 | 3B | 118 BPM | ||
| LEFT ME CRYIN' | Noé Huchard | F Minor | 2 | 4A | 87 BPM | ||
| Hands Wetter Than Water | Selva Lune | C Minor | 2 | 5A | 141 BPM | ||
| Checkered Floor Blues | Kenneth James Trio | E♭ Major | 2 | 5B | 74 BPM | ||
| The Space Between Us | Nikki E | C Major | 0 | 8B | 94 BPM | ||
| Goodnight Irene | Dominique Eade, Ran Blake | E Minor | 0 | 9A | 138 BPM | ||
| Origen | Franco Doffo | E♭ Minor | 3 | 2A | 118 BPM | ||
| Gentle piece - instrumental | Kenny Wheeler, Brian Dickinson | D♭ Major | 1 | 3B | 85 BPM | ||
| Morning Matcha | The Sunset Hill Jazz Band, Paul Rossy | E♭ Major | 2 | 5B | 74 BPM | ||
| Church on Russell Street (with Ran Blake) | Jeanne Lee, Ran Blake | C Major | 1 | 8B | 81 BPM | ||
| The New Man | Joel Ross | E♭ Major | 2 | 5B | 74 BPM | ||
| Solitude Hidden Track | Amanda Finn | E♭ Major | 3 | 5B | 94 BPM |