Rilo Kiley's ' "Close Call" was released on its scheduled release date, January 1, 2005. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Under The Blacklight (Standard Version)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Close Call is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Close Call by Rilo Kiley having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grow Up and Blow Away | Metric | G Major | 5 | 9B | 122 BPM | ||
| He's Not A Boy | The Like | D♭ Major | 9 | 3B | 105 BPM | ||
| Color Me Badd | Land of Talk | A♭ Major | 7 | 4B | 135 BPM | ||
| Lover I Don't Have to Love | Bright Eyes | A Minor | 7 | 8A | 80 BPM | ||
| I Summon You | Spoon | E Minor | 7 | 9A | 128 BPM | ||
| Inmates | The Good Life | D Major | 4 | 10B | 123 BPM | ||
| Scared as Fuck | An Horse | D♭ Major | 9 | 3B | 157 BPM | ||
| I Was Once a Loyal Lover | Death Cab for Cutie | A Major | 7 | 11B | 144 BPM | ||
| Untitled and Unsung | Belly | A Minor | 9 | 8A | 112 BPM | ||
| A Heavy Abacus | The Joy Formidable | A Major | 9 | 11B | 179 BPM | ||
| Ashes On Your Eyes | Deb Talan | E♭ Minor | 6 | 2A | 97 BPM | ||
| Aspera | Erin McKeown | A♭ Major | 7 | 4B | 134 BPM | ||
| Some Are Lakes | Land of Talk | B Minor | 8 | 10A | 130 BPM | ||
| Evergreen | The Fiery Furnaces | E Major | 7 | 12B | 176 BPM | ||
| Westby | Kathleen Edwards | A♭ Major | 8 | 4B | 130 BPM | ||
| Now | Mates of State | G Major | 9 | 9B | 140 BPM | ||
| If Looks Could Kill | Camera Obscura | D Major | 8 | 10B | 77 BPM | ||
| Lately | The Helio Sequence | A Major | 8 | 11B | 117 BPM | ||
| Parachutes (Funeral Song) | Mates of State | F♯ Minor | 8 | 11A | 143 BPM | ||
| Red Bull & Hennessy | Jenny Lewis | E Minor | 9 | 9A | 130 BPM | ||
| Automechanic | Jenny O. | B Minor | 6 | 10A | 129 BPM | ||
| Tess Don't Tell | Ivy | E♭ Major | 9 | 5B | 137 BPM | ||
| Die Alone | Ingrid Michaelson | G Major | 5 | 9B | 109 BPM | ||
| Telethon | Emily Haines & The Soft Skeleton | E Minor | 4 | 9A | 177 BPM | ||
| The Big Guns | Jenny Lewis, The Watson Twins | D Major | 7 | 10B | 125 BPM |