Claude Hopkins, Buddy Tate, Joe Thomas's 'Late Evening' had a release date set for January 1, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Swingville, Vol.20: Let's Jam". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Belgium. Late Evening is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Late Evening by Claude Hopkins, Buddy Tate, Joe Thomas having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Embraceable You | Don Byas | G Major | 2 | 9B | 62 BPM | ||
| Wherever There's Love (There's You and I) | Eddie Condon | A♭ Major | 1 | 4B | 105 BPM | ||
| Love Story | Flip Phillips | F Minor | 1 | 4A | 60 BPM | ||
| Blues Changes | Ray Bryant Trio | A♭ Major | 2 | 4B | 113 BPM | ||
| When Sunny Gets Blue | Charlie Rouse | F Major | 1 | 7B | 101 BPM | ||
| Willow Weep for Me | Billy Taylor | B♭ Minor | 1 | 3A | 64 BPM | ||
| Muskrat Ramble | Sidney Bechet's Blue Note Jazzmen | A♭ Major | 5 | 4B | 180 BPM | ||
| Two Deuces | Adrian Cox, Honey Boulton, Alex Gilson | F Major | 1 | 7B | 90 BPM | ||
| Misty | Don Byas | F Major | 1 | 7B | 72 BPM | ||
| I'm Coming Virginia | Claude Hopkins | G Minor | 1 | 6A | 103 BPM | ||
| Bean Stalking - Idaho | The Three Tenors Of Swing | G Minor | 8 | 6A | 138 BPM | ||
| Empty Roads, Warm Cup | Diner Express | C Major | 2 | 8B | 80 BPM | ||
| It Might As Well Be Spring - Remastered 2025 | Bill Evans Trio | B♭ Minor | 1 | 3A | 180 BPM | ||
| Mean to Me | Ruby Braff | G Major | 3 | 9B | 91 BPM | ||
| Alone Too Long | Sonny Red | F Major | 2 | 7B | 102 BPM | ||
| Embraceable You | Pee Wee Russell | F Major | 1 | 7B | 88 BPM | ||
| Moonlight Cocktail | Willie "The Lion" Smith | B Minor | 1 | 10A | 93 BPM | ||
| Lullaby Of Birdland | Jaki Byard | A♭ Major | 1 | 4B | 79 BPM | ||
| Manhattan / The Sidewalks of New York | Dick Hyman, Dick Wellstood | E♭ Major | 2 | 5B | 108 BPM | ||
| 47th And Calumet | The John Wright Trio | C Major | 2 | 8B | 138 BPM | ||
| Where Desire Overflows | A Jazz Story | G Minor | 1 | 6A | 98 BPM | ||
| ディキシーランドジャズ6 | 茶屋萬衛門 | C Minor | 5 | 5A | 105 BPM | ||
| I've Got A Crush On You | Thad Jones | B♭ Major | 1 | 6B | 83 BPM | ||
| Harlem Nocturne | Illinois Jacquet | F Minor | 1 | 4A | 63 BPM | ||
| The Brownstone Sessions | Elliot Crane | G Minor | 1 | 6A | 98 BPM |