CASIOPEA's ' "リフレクションズ・オブ・ユー" was released on its scheduled release date, 1980. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in CASIOPEA's "MAKE UP CITY" album is number 3 out of 8. Based on our statistics, リフレクションズ・オブ・ユー's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of リフレクションズ・オブ・ユー by CASIOPEA to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coral Eyes | Shigeharu Mukai | C Major | 7 | 8B | 136 BPM | ||
| ソフィスティケイテッド・レディ | セキトオ・シゲオ | D♭ Major | 7 | 3B | 171 BPM | ||
| DAYTONA BEACHWAY | Masaru Imada, 今田あきら, Toshiyuki Honda | D Minor | 7 | 7A | 115 BPM | ||
| DAILY BREAD | CASIOPEA-P4 | C Major | 6 | 8B | 104 BPM | ||
| NATURALLY | CASIOPEA | F Major | 6 | 7B | 102 BPM | ||
| DOMINO LINE | CASIOPEA-P4 | B Minor | 9 | 10A | 136 BPM | ||
| Busted | Masaki Matsubara | A Minor | 6 | 8A | 163 BPM | ||
| Medieval Overture - Instrumental | Return To Forever | G Major | 8 | 9B | 107 BPM | ||
| ON THE STREET | Noriki | D Major | 6 | 10B | 136 BPM | ||
| Don't Let the World Pass You By | Jean-Luc Ponty | C Major | 8 | 8B | 160 BPM | ||
| HAVE A NICE DAY | MALTA | B♭ Major | 1 | 6B | 129 BPM | ||
| LET ME TRY | NANIWA EXPRESS | D Minor | 8 | 7A | 118 BPM | ||
| シャンデリア | CASIOPEA | G Major | 6 | 9B | 118 BPM | ||
| Midnight Drivin' | Masaki Matsubara, Tsuyoshi Kon | C Minor | 9 | 5A | 111 BPM | ||
| BREEZE AND YOU '95 | T-SQUARE and FRIENDS | D Minor | 9 | 7A | 115 BPM | ||
| So This Is Love? | George Benson | A Minor | 8 | 8A | 102 BPM | ||
| BOSTON FLIGHT | Kenji Omura | G Major | 6 | 9B | 98 BPM | ||
| Saturn Pierrot In The Heaven (土星・天界のピエロ) | Yuji Ohno | E Minor | 9 | 9A | 118 BPM | ||
| SUNSHINE BLVD | Masaru Imada, 今田あきら, Toshiyuki Honda | D♭ Major | 6 | 3B | 86 BPM | ||
| Flashback | Yuji Toriyama | F Major | 6 | 7B | 203 BPM | ||
| Aloaloalo | Varra | A♭ Major | 3 | 4B | 111 BPM | ||
| Fluffy | 菊池ひみこ | D Major | 6 | 10B | 89 BPM | ||
| 蜃気楼の島へ | Masayoshi Takanaka | A Major | 3 | 11B | 109 BPM | ||
| PROLOGUE -CRYSTAL LOVE- | Yuji Ohno | A Minor | 6 | 8A | 96 BPM | ||
| ペインテッド・パラダイス | 稲垣次郎とソウル・メディア | A♭ Major | 6 | 4B | 104 BPM |