- BPM
- 109
- Key
- D Major
- Camelot
- 10B
Dhammapada: Sarnath by Ronald Corp, Anonymous, Apsara Song Details
"Dhammapada: Sarnath" by Ronald Corp, Anonymous, Apsara had its release date on January 1, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 17 in Corp: dhammapada by Ronald Corp. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Dhammapada: Sarnath is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Dhammapada: Sarnath by Ronald Corp, Anonymous, Apsara is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -52.643 dB
- Acousticness
- 0%
- Danceability
- 29%
- Energy
- 32%
- Instrumentalness
- 0%
- Liveness
- 0%
- Loudness
- 12%
- Speechiness
- 10%
- Valence
- 0%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Woodland Sketches, Op. 51: I. To a Wild Rose (Arr. Woodhouse) | Edward MacDowell, New London Orchestra, Ronald Corp | D Major | 2 | 10B | 89 BPM | |
 | Portrait of a Flirt | Robert Farnon, New London Orchestra, Ronald Corp | C Major | 3 | 8B | 135 BPM | |
 | Sospiri, Op. 70 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 177 BPM | |
 | Shepherd Fennel's Dance | Henry Balfour Gardiner, Ronald Corp, New London Orchestra | D Major | 1 | 10B | 93 BPM | |
 | Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Suite: A-Roving | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | D Major | 1 | 10B | 144 BPM | |
 | Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | |
| A Shropshire Lad - Rhapsody | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 95 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
| Irish Idyll | Peter Dodd, Royal Ballet Sinfonia, David Lloyd-Jones | A Major | 0 | 11B | 81 BPM | |
 | Intermezzo and Serenade from Hassan | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 87 BPM | |
| American Symphonette No. 3: Pavanne | Morton Gould, New London Orchestra, Ronald Corp | D Major | 2 | 10B | 89 BPM | |
 | King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | |
 | Symphony No. 1 in E-Flat Major: 3. Andante | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D Major | 0 | 10B | 82 BPM | |
| Clear and gentle stream, Op. 17, No. 4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | |
| Miss Melanie | Ronald Binge, Ronald Corp, New London Orchestra | C Major | 3 | 8B | 135 BPM | |
 | Sibelius: Karelia Suite, Op. 11: III. Alla marcia | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 173 BPM | |
 | The Watermill | Binge, Ronald Binge, Ronald Binge Orchestra | F Major | 2 | 7B | 69 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Simon Trpčeski, Cristian Măcelaru, Janáček Philharmonic Orchestra | C Minor | 0 | 5A | 75 BPM | |
 | Piano Concerto in C Minor, Op. 12: I. Allegro | Gabriel Pierné, Stephen Coombs, BBC Scottish Symphony Orchestra, Ronald Corp | A♭ Major | 1 | 4B | 91 BPM | |
 | Serenade in G Major: II. Air. Lento, ma non troppo (Original Version) | Ernest John Moeran, Ulster Orchestra, Joann Falletta | B♭ Major | 3 | 6B | 156 BPM | |
 | Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | |
 | Rouge et noir | Fred Hartley, New London Orchestra, Ronald Corp | B♭ Major | 1 | 6B | 132 BPM | |
 | Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | |
| Cavalcade of Youth | Jack Beaver, New London Orchestra, Ronald Corp | E♭ Major | 2 | 5B | 95 BPM |
- ISRC
- GBYLM1000095
- Label
- L-M Records/RCA Records