- BPM
- 85
- Key
- A♭ Major
- Camelot
- 4B
H.M.S. Pinafore / Act 1: The nightingale sighed by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey Song Details
"H.M.S. Pinafore / Act 1: The nightingale sighed" by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey had its release date on January 1, 1959. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. H.M.S. Pinafore / Act 1: The nightingale sighed's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey's "Gilbert & Sullivan: H.M.S.Pinafore" album is number 4 out of 25. H.M.S. Pinafore / Act 1: The nightingale sighed is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of H.M.S. Pinafore / Act 1: The nightingale sighed by Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Music Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 5%
- Loudness
- -28.508 dB
- Acousticness
- 97%
- Danceability
- 17%
- Energy
- 5%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Fledermaus / Act 1: "So muss allein ich bleiben" | Johann Strauss II, Kiri Te Kanawa, Edita Gruberova, Wolfgang Brendel, Wiener Philharmoniker, André Previn | C Major | 2 | 8B | 131 BPM | |
 | The Mikado / Act 1: 16. Your revels cease! Assist me, all of you! | Arthur Sullivan, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | A Major | 1 | 11B | 144 BPM | |
 | Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D Minor | 2 | 7A | 123 BPM | |
 | Die Csardasfürstin: Weißt du es noch | Emmerich Kálmán, Angelika Kirchschlager, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | C Minor | 2 | 5A | 81 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.1: I can no more | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | D♭ Minor | 1 | 12A | 169 BPM | |
 | La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | |
 | 11. How beautifully blue the sky | Arthur Sullivan, Valerie Masterson, Philip Potter, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F♯ Major | 1 | 2B | 82 BPM | |
 | H.M.S. Pinafore / Act 1: We shall sail the ocean blue | Arthur Sullivan, The D'Oyly Carte Opera Company, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 100 BPM | |
 | Lucia di Lammermoor / Act 3: Spargi d'amaro pianto | Gaetano Donizetti, Nadine Sierra, Capella Cracoviensis, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | E♭ Major | 1 | 5B | 89 BPM | |
 | Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | |
 | Un ballo in maschera / Act 2: Ecco l'orrido campo | Giuseppe Verdi, Katia Ricciarelli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | |
 | 27. Soon as we may, off and away | Arthur Sullivan, Mary Sansom, Jennifer Toye, Pauline Wales, Yvonne Newman, Gillian Knight, Thomas Round, Alan Styler, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | B Major | 3 | 1B | 83 BPM | |
 | Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | |
| H.M.S. Pinafore / Act 2: A joy! Oh rapture unforseen | Arthur Sullivan, The D'Oyly Carte Opera Company, Joyce Wright, Thomas Round, Donald Adams, Jeffrey Skitch, Gillian Knight, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 3 | 7B | 200 BPM | |
 | Peter Grimes, Op.33 / Act 1: "Look, the Storm Cone!" | Benjamin Britten, James Pease, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 91 BPM | |
| Die Fledermaus / Act 2: "Ein Souper heut uns winkt" | Johann Strauss II, Vienna State Opera Chorus, Wiener Philharmoniker, André Previn | E Major | 3 | 12B | 134 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1: Cavatina. "Ecco ridente in cielo" (Conte) | Gioachino Rossini, James Levine, Nicolai Gedda, London Symphony Orchestra | C Major | 2 | 8B | 86 BPM | |
 | Un ballo in maschera / Act 1: "Volta la terrea...Signori: oggi d'Ulrica" | Giuseppe Verdi, Kathleen Battle, Luciano Pavarotti, Alexander Oliver, Renato Bruson, Robert Lloyd, Malcolm King, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 67 BPM | |
 | Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | |
 | Cavalleria rusticana: A casa, a casa | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | B♭ Major | 3 | 6B | 74 BPM | |
 | Iolanthe | Gilbert & Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey | A♭ Major | 2 | 4B | 91 BPM | |
 | Towards the Pinnacle, Poem for Soprano & Orchestra, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Emilia Petrescu | D Major | 6 | 10B | 110 BPM | |
 | Donizetti: Don Pasquale, Act 2: "Via, da brava" (Malatesta, Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Leo Nucci, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | E Major | 2 | 12B | 122 BPM | |
 | Wagner: Lohengrin, Act 2: "Mein Held! Entgegne kühn dem Ungetreuen!" (Heinrich, Lohengrin, Friedrich, Elsa, Chor) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Staatskapelle Berlin | C Minor | 0 | 5A | 64 BPM | |
| Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records