On January 1, 1989, the song "Taar Doucey" was released by Ismaël Lô. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 3 out of 12 in Diawar by Ismaël Lô. In terms of popularity, Taar Doucey is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Taar Doucey by Ismaël Lô is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Djekafo | Nicolas Repac, Mamani Keïta | F♯ Major | 7 | 2B | 95 BPM | ||
| Masikini | Eyuphuro | A♭ Minor | 3 | 1A | 134 BPM | ||
| Mbote Ya Pamba | Kékélé | E Major | 7 | 12B | 144 BPM | ||
| Ghana Blues | Gerald Toto, Richard Bona, Lokua Kanza | D♭ Minor | 4 | 12A | 104 BPM | ||
| Julud | Aziza Brahim | D Minor | 6 | 7A | 126 BPM | ||
| Djôn'Maya | Victor Démé | D♭ Major | 3 | 3B | 179 BPM | ||
| Koya Blues | Abou Diarra | A Major | 5 | 11B | 80 BPM | ||
| Dibi Dibi Rek | Ismaël Lô | A Minor | 7 | 8A | 106 BPM | ||
| Yafaké | Victor Démé | G Major | 5 | 9B | 88 BPM | ||
| Gna terra | Lamine Konte | C Minor | 5 | 5A | 167 BPM | ||
| Dicholo | Ayub Ogada | A Major | 5 | 11B | 110 BPM | ||
| É'Mma | Touré Kunda | A Major | 4 | 11B | 166 BPM | ||
| Nata | Mory Kanté | A♭ Major | 8 | 4B | 170 BPM | ||
| Le passeur | Wasis Diop | B Major | 2 | 1B | 101 BPM | ||
| Dioumaa | Ismaël Lô | G Major | 9 | 9B | 137 BPM | ||
| Di Na Wo | Wasis Diop | F♯ Major | 4 | 2B | 126 BPM | ||
| Awal | Rajery, Ballaké Sissoko, Driss El Maloumi | C Major | 3 | 8B | 153 BPM | ||
| Manke | Kareyce Fotso | C Minor | 3 | 5A | 88 BPM | ||
| Anfass | Rajery, Ballaké Sissoko, Driss El Maloumi | F Major | 5 | 7B | 104 BPM | ||
| Abbar el Hamada | Aziza Brahim | D Major | 6 | 10B | 172 BPM | ||
| Milélé | Miriam Makeba | F Major | 7 | 7B | 131 BPM | ||
| Yündüya Weyu | Umalali, the Garifuna Collective | F Minor | 7 | 4A | 115 BPM | ||
| ASCO | Ali Farka Touré | F Minor | 3 | 4A | 184 BPM | ||
| Zamba | Lokua Kanza | C Major | 7 | 8B | 100 BPM | ||
| Indépendance Tchatcha | Clan African Jazz | D Major | 5 | 10B | 87 BPM |