Dallas Wayne's ' "Happy Hour" was released on its scheduled release date, January 1, 2001. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Dallas Wayne's "Here I Am In Dallas" album is number 11 out of 12. In terms of popularity, Happy Hour is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Happy Hour by Dallas Wayne to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| World Of Make Believe | Jason James | B Major | 5 | 1B | 96 BPM | ||
| No Jones On The Jukebox | Wyatt Massingille | G Major | 7 | 9B | 111 BPM | ||
| Toss and Turn | Tim Culpepper | E Major | 7 | 12B | 85 BPM | ||
| Today I Started Loving You Again | Johnny Bush | G Major | 5 | 9B | 94 BPM | ||
| Tell It to the Jukebox | Dallas Wayne | G Major | 4 | 9B | 111 BPM | ||
| Leave The Lonely Alone | James Hand | G Major | 4 | 9B | 105 BPM | ||
| If I'd Been Alone Tonight | Don Ellis Gatlin | A Major | 5 | 11B | 119 BPM | ||
| The Woman of My Dreams (Rerecorded) | Phillip Maddox | G Major | 4 | 9B | 96 BPM | ||
| I've Never Been Any Other Way | Will Banister | A Major | 7 | 11B | 150 BPM | ||
| Dusty Roads | Chris Heers | D Major | 4 | 10B | 84 BPM | ||
| There's Something About a Lady | Johnny Duncan | F Major | 4 | 7B | 117 BPM | ||
| To Pieces | Connie Smith | B Major | 7 | 1B | 130 BPM | ||
| I've Seen It All | Paul Pace | E Major | 5 | 12B | 101 BPM | ||
| Walk On By | MEL STREET | B Major | 4 | 1B | 135 BPM | ||
| If Youre Looking For A Fool | Tommy Overstreet | C Major | 4 | 8B | 84 BPM | ||
| These Two Eyes | Jake Hooker | G Major | 4 | 9B | 139 BPM | ||
| Undo the Right | Johnny Bush | G Major | 5 | 9B | 113 BPM | ||
| A-11 | Dawn Sears | A Major | 4 | 11B | 129 BPM | ||
| Cathead Biscuits | Richard Lynch | E Major | 7 | 12B | 106 BPM | ||
| I'd Follow You Anywhere | The Derailers | F♯ Major | 2 | 2B | 80 BPM | ||
| A Dime at a Time | Dallas Wayne | G Major | 9 | 9B | 158 BPM | ||
| All Through Crying Over You | Jeannie Seely, Rhonda Vincent | G Major | 8 | 9B | 119 BPM | ||
| I Don't Wanna Lose You, Anna (Li'l Mickey Mix) | Paul Pace | E Major | 3 | 12B | 149 BPM | ||
| Six Days on the Road | Fergie & The Steelheads | G Major | 8 | 9B | 203 BPM | ||
| Prairie Rose and Her Garden Hose | Dusty McBoots | D Major | 8 | 10B | 116 BPM |