Rucha Birari's ' "Lagin Dya Manah Kari" was released on its scheduled release date, January 1, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Lagin Dya Manah Kari" album is number 2 out of 10. On top of that, India appears to be the country where this track was created. Lagin Dya Manah Kari is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Lagin Dya Manah Kari by Rucha Birari to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tuch Maay Baap Swami Tu | Suresh Wadkar,Dr. Jay Ajgaonkar | D♭ Major | 6 | 3B | 99 BPM | ||
| Aga Ye Udara | Mahesh Hiremath, Shubhangi Joshi | F Major | 6 | 7B | 125 BPM | ||
| Mukhthi Bolo Namah Shivay | Farida Mir | F♯ Minor | 7 | 11A | 105 BPM | ||
| Arati Ghanraja | Shubhangi Joshi, Mahesh Hiremath | D♭ Minor | 7 | 12A | 104 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Duttaguru Avatar | Swapnil Bandodkar, Madhuri Karmarkar | D♭ Minor | 8 | 12A | 88 BPM | ||
| Shri Mahakaleshwar Aarti Traditional | Binay Pathak, Chorus | E♭ Major | 8 | 5B | 144 BPM | ||
| Naa Manasuna | Narsing Rao | F♯ Minor | 4 | 11A | 83 BPM | ||
| Pandharicha Sakha Pandurang | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Bar Ajgut Dekhal Tor Angana | Devi | B♭ Major | 6 | 6B | 110 BPM | ||
| Yei Oh Vitthale | Ketan Patwardhan, Dhanashri Deshpande | B♭ Minor | 5 | 3A | 89 BPM | ||
| Man Dhavtaya Chandrabhage Kathi | Mandar Apte | D♭ Major | 6 | 3B | 176 BPM | ||
| Sai Bhajan - Sai Leela Ghadlaya Shirdit | Mangesh Shirke | A♭ Major | 8 | 4B | 85 BPM | ||
| Andaman Aani Savarkar | Shantanu Herlekar | D♭ Major | 5 | 3B | 80 BPM | ||
| Ek Walaleli Kadi | Anirudh.D.Vankar | G Major | 1 | 9B | 150 BPM | ||
| Rahtoy Thatat Kanifnathan Mul | Akash Shinde | D♭ Minor | 7 | 12A | 100 BPM | ||
| Dante Siri Daayi | Dukalu Yadav | A Major | 8 | 11B | 80 BPM | ||
| Aanand Ya Jivanacha | Namrata Shrirame | B Minor | 3 | 10A | 130 BPM | ||
| Nadichya Kinari Sasarcha That | Shakuntala Jadhav | F Major | 4 | 7B | 86 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Tujha Saibaba Majha Saibaba | Omkar Mahadik | B♭ Minor | 9 | 3A | 180 BPM | ||
| Ranat Mor Aaravila | Nanda Bhamre | G Minor | 6 | 6A | 82 BPM | ||
| Akka Kelavva | Dhruti B Athreyas, Bharat Jain | F♯ Minor | 8 | 11A | 94 BPM | ||
| Bindine Bhang Bharle | Madhuri Mahajan | E Major | 6 | 12B | 88 BPM |