Al Capps's 'Sweet Destiny' had a release date set for January 1, 1990. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Urban, Vol. 1". In this album, this song's track order is #5. In terms of popularity, Sweet Destiny is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Sweet Destiny by Al Capps having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shopper's World | William Loose | G Major | 4 | 9B | 110 BPM | ||
| Passing Breeze | Russ Conway | E♭ Major | 3 | 5B | 84 BPM | ||
| Isle Of Capri, You Belong To Me, Meditation | Stef Meeder | F Major | 5 | 7B | 110 BPM | ||
| Champagne After Midnight | Ricci Ferra | D Minor | 3 | 7A | 81 BPM | ||
| 夕日に赤い帆 | ジョーレナ・ハワイアンズ | G Major | 3 | 9B | 83 BPM | ||
| Encanto del Caribe | DCO | B♭ Major | 4 | 6B | 144 BPM | ||
| The Ever Constant Sea | The San Sebastian Strings | B Major | 4 | 1B | 81 BPM | ||
| Morning Train | Ron Goodwin | A Minor | 3 | 8A | 125 BPM | ||
| この胸のときめきを | レイモン・ルフェーヴル・グランド・オーケストラ | C Minor | 4 | 5A | 171 BPM | ||
| El Tonto de la Colina | Sounds Unlimited Orchestra And Chours | B♭ Major | 6 | 6B | 136 BPM | ||
| The Way It Should Be | Al Capps | D Major | 1 | 10B | 133 BPM | ||
| Eternity (Main Theme from Movie "la Hiena") | Rafael Ferro | G Major | 3 | 9B | 91 BPM | ||
| Navarone | Frank Pourcel | G Major | 8 | 9B | 116 BPM | ||
| You Don't Bring Me Flowers | Johnny Pearson and His Orchestra | A Major | 3 | 11B | 97 BPM | ||
| Her Touch | Al Capps | D Minor | 3 | 7A | 127 BPM | ||
| Starlight Roof Waltz | The Melachrino Strings and Orchestra | E Minor | 3 | 9A | 169 BPM | ||
| Softly As I Leave You | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | C Major | 1 | 8B | 88 BPM | ||
| My Blue Heaven | Alex Brown Orchestra | E♭ Major | 1 | 5B | 121 BPM | ||
| The Nadia`s Theme | Young Pop`s Orchestra | G Minor | 2 | 6A | 80 BPM | ||
| Tema de Tara - De la pelicula "Lo que el viento se llevo" | The Hollywood Mood Orchestra | F Minor | 8 | 4A | 116 BPM | ||
| Zpívám | Jiří Malásek | C Major | 2 | 8B | 97 BPM | ||
| That's the Way I Always Heard It Should Be | John Fox | C Minor | 2 | 5A | 132 BPM | ||
| Londonderry Air | Johnny Pearson and His Orchestra | G Major | 2 | 9B | 98 BPM | ||
| Nuestros Años Felices | Francis Pourcel Orchestra | A♭ Major | 4 | 4B | 146 BPM | ||
| Looks Like We Made It - Remastered | Frank Chacksfield, Frank Chacksfield Orchestra, Frank Chacksfield & His Orchestra | C Major | 4 | 8B | 67 BPM |