- BPM
- 89
- Key
- E Minor
- Camelot
- 9A
The Oceanides. Tone Poem For Orchestra, Op. 73 by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi Song Details
"The Oceanides. Tone Poem For Orchestra, Op. 73" by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi had its release date on January 1, 1996. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Sibelius: Finlandia; Luonnotar; Karelia Suite". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The Oceanides. Tone Poem For Orchestra, Op. 73 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Oceanides. Tone Poem For Orchestra, Op. 73 by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 9%
- Loudness
- -25.237 dB
- Acousticness
- 96%
- Danceability
- 10%
- Energy
- 9%
- Instrumentalness
- 88%
- Liveness
- 19%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Allegro molto agitato in D Minor | Fanny Mendelssohn, Heather Schmidt | D Major | 1 | 10B | 111 BPM | |
 | Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | |
 | The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | |
 | Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | E Major | 1 | 12B | 87 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Jeux D'Eau | Maurice Ravel, André Laplante | A Major | 1 | 11B | 128 BPM | |
 | Serenade in C Major, Op. 48: III. Elegie | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 89 BPM | |
 | Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | |
 | Ravel: Sonatine, M. 40: I. Modéré | Maurice Ravel, Bertrand Chamayou | F♯ Minor | 1 | 11A | 67 BPM | |
 | Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | |
 | Suite Bergamasque, L. 75: Passepied | Claude Debussy, Martin Jones | F♯ Minor | 0 | 11A | 90 BPM | |
 | Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | |
 | Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante | Alexander Borodin, Borodin Quartet | F Major | 3 | 7B | 96 BPM | |
 | Moods, Impressions and Souvenirs, Op. 41: IV. Poème | Zdeněk Fibich, Balazs Szokolay | E Major | 0 | 12B | 126 BPM | |
 | Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | |
 | Piano Concerto in A Minor, Op. 7: II. Romanze. Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 96 BPM | |
 | Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | |
 | 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | |
 | Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | |
| Poulenc: Piano Concerto in C-Sharp Minor, FP 146: II. Andante con moto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 0 | 5B | 175 BPM |
- ISRC
- DEF059502800
- Label
- L-M Records/RCA Records