"Rali Sham" by Shafullah Khan Rokhrhi had its release date on 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Shafullah Khan Rokhrhi's "Jali Dar Kamezan" album is number 9 out of 10. On top of that, Pakistan appears to be the country where this track was created. Rali Sham is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rali Sham by Shafullah Khan Rokhrhi to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sangtaan Muka Ke Kiya Milae | Gulaab | E Minor | 9 | 9A | 110 BPM | ||
| Dheeyaan Pardesna | Avjot Kaur, Kulvir Kaur | E Minor | 9 | 9A | 92 BPM | ||
| Mahi | Shafullah Khan Rokhrhi | A Major | 3 | 11B | 144 BPM | ||
| Dholay Bagair | Shafullah Khan Rokhrhi | B♭ Minor | 7 | 3A | 172 BPM | ||
| Sach | Kamal Khan | B♭ Minor | 7 | 3A | 80 BPM | ||
| Kyon Pardes Ni Wasaye | Ahmed Nawaz Cheena | B Minor | 10 | 10A | 93 BPM | ||
| Mera Yaar Jo Hai | Sonia Khan, Ansaar Khan, Ibrar Khan | D Major | 7 | 10B | 144 BPM | ||
| Allah Med'a | Naeem Hazarvi | D♭ Minor | 6 | 12A | 122 BPM | ||
| Kal Alaya Nivi Main Nimi Mar Piya | Ahmad Nawaz Cheena | A Minor | 8 | 8A | 156 BPM | ||
| Kon Kise Da Gham Lainda Ae | Sajid Ali Khan | B♭ Major | 9 | 6B | 179 BPM | ||
| Hik Barish | Naeem Hazarvi | F♯ Major | 8 | 2B | 119 BPM | ||
| Allah Kainday Sang Na Toray | Sharafat Ali Khan | A♭ Major | 9 | 4B | 105 BPM | ||
| Yar Wy Tedyan A Tasweeran | Irfan Khan Malangi | F♯ Major | 6 | 2B | 77 BPM | ||
| Ishq Pawaiyan Zanjeeran | Atta Ullah Khan Esakhelvi | B♭ Minor | 9 | 3A | 98 BPM | ||
| Dhol Diyan BeTakiya | Qamar Shahpuria | A♭ Major | 9 | 4B | 98 BPM | ||
| Mandi Da Dhola | Malkoo, Farhana Maqsood | D♭ Major | 10 | 3B | 100 BPM | ||
| Akhiyan Di Sohn | Nadeem Abbas Khan Lonay Wala | B Minor | 8 | 10A | 120 BPM | ||
| Haan Da Tota | Irfan Angra | F Minor | 9 | 4A | 156 BPM | ||
| Aey Gal Sanu Qabol Nai | Wajid Ali Baghdadi | C Minor | 7 | 5A | 118 BPM | ||
| Rulnran Taan Nasi Je | Allah Ditta Lunewala | B♭ Minor | 7 | 3A | 95 BPM | ||
| Dil Ronda Aye - Original | Zain Ali | E Minor | 9 | 9A | 150 BPM | ||
| Dhool Islamabad Da | Mazhar Rahi, Fiza Ali | D Minor | 6 | 7A | 98 BPM | ||
| Dill Tay Badshahyan | Naeem Hazarvi | B Minor | 8 | 10A | 152 BPM | ||
| Ishq Mai Dil Nilaam Huwa | Sufi-Punjabi | F Major | 6 | 7B | 99 BPM | ||
| Wase Teri Miyanwali | Naeem Hazarvi | B♭ Minor | 8 | 3A | 110 BPM |