"You're All The Same" by Mike Scott had its release date on April 29, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Saturation Point". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. Based on our statistics, You're All The Same's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With You're All The Same by Mike Scott having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazier than ever (reprise) | Feel Loudly | G Major | 4 | 9B | 93 BPM | ||
| Antonia Jane (Acoustic) | The Gaslight Anthem | B♭ Major | 5 | 6B | 128 BPM | ||
| Brandenburg Gate - Acoustic | Anti-Flag | E♭ Major | 7 | 5B | 85 BPM | ||
| There's No One Left | Headsticks | A Minor | 8 | 8A | 95 BPM | ||
| Chasing Rainbows | Tony Sly | A♭ Major | 4 | 4B | 141 BPM | ||
| Love the Way You Lie, Pt. 3 | Dennis Jagard, Ten Foot Pole | D Minor | 10 | 7A | 188 BPM | ||
| Crossing the Delaware | Richard Dean Fisher | G Major | 8 | 9B | 97 BPM | ||
| The Shortest Pier | Tony Sly | G Major | 6 | 9B | 119 BPM | ||
| exit signs | Whispergun | C Major | 4 | 8B | 162 BPM | ||
| I Just Want You to Know | Off With Their Heads | C Major | 5 | 8B | 130 BPM | ||
| Galaxies | John Newport | A Minor | 1 | 8A | 137 BPM | ||
| The Other End Of Town | The Breaks The Beat | F Minor | 5 | 4A | 74 BPM | ||
| Obsolete Absolute | Joey Cape | A♭ Minor | 4 | 1A | 153 BPM | ||
| All We Got Is Each Other | Ghost Mice | G Major | 6 | 9B | 111 BPM | ||
| To All My Friends | Joey Cape & Jon Snodgrass | A♭ Major | 4 | 4B | 141 BPM | ||
| Five Little Secrets | Ben Marwood | D Minor | 6 | 7A | 147 BPM | ||
| Power Trippin' Dipshits | The Taxpayers, Ryan Cassata | G Major | 8 | 9B | 97 BPM | ||
| Kiss It Away | Off With Their Heads | E Major | 5 | 12B | 39 BPM | ||
| Focus | Georg Bendemann | F♯ Minor | 5 | 11A | 141 BPM | ||
| Coma Girl | The Loved Ones | E Major | 6 | 12B | 87 BPM | ||
| Predicament | Greg Graffin | F Major | 7 | 7B | 123 BPM | ||
| Because of the Shame - Acoustic Version | Against Me! | D Major | 5 | 10B | 142 BPM | ||
| You've Always Got This To Fall Back On | Mike Scott | E Major | 7 | 12B | 104 BPM | ||
| End Agony - Acoustic | KonSlayer the Genre-Walker | B Minor | 10 | 10A | 95 BPM | ||
| running back to me | Brian_Estes, breezebreathes | G Major | 8 | 9B | 97 BPM |