Bill Anderson's ' "Wherever She Is" was released on its scheduled release date, January 1, 2011. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Songwriter". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Wherever She Is is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Wherever She Is by Bill Anderson having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Last Thing on My Mind | Tompall & The Glaser Brothers | D Major | 4 | 10B | 81 BPM | ||
| Blue Eyes Crying In The Rain | Bill Anderson | F♯ Major | 4 | 2B | 96 BPM | ||
| Lily Dale (with Willie Nelson) | Darrell McCall | A Major | 2 | 11B | 108 BPM | ||
| Close Up the Honky Tonks | Tony Booth | B♭ Major | 6 | 6B | 130 BPM | ||
| Here Comes My Baby | Dottie West | D Major | 4 | 10B | 88 BPM | ||
| Do You Ever Fool Around | Joe Stampley | D♭ Major | 3 | 3B | 81 BPM | ||
| If I Had You To Love Over Again | Jim Glaser | B♭ Minor | 4 | 3A | 131 BPM | ||
| Somewhere Between Love And Tomorrow | Roy Clark | G Major | 3 | 9B | 82 BPM | ||
| A Dear John Letter W / Ferlin Husky | Jean Shepard | B♭ Major | 3 | 6B | 130 BPM | ||
| I'm so Afraid of Losing You Again | Wesley Dennis | E Major | 6 | 12B | 98 BPM | ||
| Me and You and a Dog Named Boo | Stonewall Jackson | F♯ Major | 6 | 2B | 126 BPM | ||
| (An Empty Bottle, A Broken Heart) You're Still On My Mind | Jeff Chance | A Major | 4 | 11B | 109 BPM | ||
| He's a Heartache (Looking for a Place to Happen) | Janie Fricke | B Major | 6 | 1B | 177 BPM | ||
| Pop a Top | Jim Ed Brown | A Major | 4 | 11B | 118 BPM | ||
| Woman (Sensuous Woman) | Don Gibson | D Major | 3 | 10B | 111 BPM | ||
| (Jeannie Marie) You Were A Lady | Tommy Overstreet | F Major | 4 | 7B | 186 BPM | ||
| Tryin' to Outrun the Wind | Tompall & The Glaser Brothers | D Major | 3 | 10B | 108 BPM | ||
| Right Or Left At Oak Street | Roy Clark | G Major | 6 | 9B | 102 BPM | ||
| Lay Down Sally | Red Sovine | D Major | 6 | 10B | 96 BPM | ||
| I Don't Wanna Cry | Larry Gatlin & The Gatlin Brothers | G Major | 4 | 9B | 92 BPM | ||
| Someone to Love You | Martin Delray | F♯ Major | 3 | 2B | 84 BPM | ||
| Queen of the Silver Dollar | Dave and Sugar | D Major | 4 | 10B | 89 BPM | ||
| Mobile Bay | Tompall & The Glaser Brothers | G Major | 4 | 9B | 104 BPM | ||
| Lonesome 7-7203 | Hawkshaw Hawkins | A Major | 3 | 11B | 115 BPM | ||
| Dim Lights, Thick Smoke (And Loud, Loud Music) | Vern Gosdin | E Major | 4 | 12B | 142 BPM |