On April 12, 2024, the song "Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 25 in Francesco Lecce: 67 Sonate e Partite. Works for Unaccompanied Violin Recomposed for Solo Flute by Luca Astolfoni Fossi, Book I by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Concerto con Violoncello obligato No. 8 in D Major: I. Allegro | Giovanni Benedetto Platti, Sebastian Hess, Akademie für Alte Musik Berlin, Georg Kallweit | F Major | 5 | 7B | 107 BPM | ||
| Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 4 in G Minor: I. Allegro ma non troppo | Alessandro Scarlatti, Europa Galante, Fabio Biondi | F♯ Minor | 3 | 11A | 118 BPM | ||
| Flute Concerto No. 3 in C Major: II. Grave | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Minor | 1 | 5A | 65 BPM | ||
| Mystery Sonata No. 4 "The Presentation of the Infant Jesus in the Temple" | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | A♭ Major | 1 | 4B | 93 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 1 | 12B | 135 BPM | ||
| Concerto in A Major, Op. 12 No. 1: II. Allegro | Jean-Baptiste Quentin, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 109 BPM | ||
| Flute Quartet in G Minor, TWV 43 g4: II. Adagio | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A Major | 1 | 11B | 77 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Concerto grosso in C Minor Op. 6, No. 3: III. Grave | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Minor | 2 | 12A | 81 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
| Violin Sonata No. 6 in A Minor: II. Allegro | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Sonate e Partite: No. 8, Comodo (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
| Sonata a quattro No. 1 in F Minor | Alessandro Scarlatti, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Sonate e Partite: No. 13, Allegro spiritoso (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 2 | 9B | 146 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | A♭ Major | 1 | 4B | 81 BPM | ||
| Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Sonate pour le violon et le clavecin in A Minor: I. [...] | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | A♭ Minor | 1 | 1A | 113 BPM | ||
| Concerto No. 1 In D Major RV 549: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 121 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Ballet | Nicolas Hotman, Lucile Boulanger | D♭ Minor | 1 | 12A | 60 BPM |