Baden Powell's ' "Canto de Ossanha" was released on its scheduled release date, May 26, 1966. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Tristeza on Guitar". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Canto de Ossanha is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Canto de Ossanha by Baden Powell having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deixa a Baiana Sambar | Os Tincoãs | D Major | 7 | 10B | 92 BPM | ||
| Violão Vadio | Marco Pereira | D Major | 4 | 10B | 146 BPM | ||
| Abertura | Baden Powell | A Minor | 2 | 8A | 117 BPM | ||
| Mantafro | Coladera | B Minor | 7 | 10A | 171 BPM | ||
| Só Tinha De Ser Com Você | Milton Banana Trio | F Minor | 7 | 4A | 81 BPM | ||
| Berimbau | Baden Powell | G Major | 3 | 9B | 104 BPM | ||
| Tudo Jóia | Orlandivo | C Major | 6 | 8B | 94 BPM | ||
| Radio Nacional - Prefixo | Guinga | B Minor | 1 | 10A | 95 BPM | ||
| Upa, Neguinho | Rio 65 Trio | D Major | 4 | 10B | 112 BPM | ||
| Dembita | Mário Rui Silva | E Minor | 3 | 9A | 81 BPM | ||
| Não Acorde o Neném | Moreno Veloso, Domenico Lancellotti | E Minor | 8 | 9A | 160 BPM | ||
| Encontro Marcado | Sebastiao Tapajós, Pedro Dos Santos | A♭ Major | 4 | 4B | 117 BPM | ||
| Sylvia | Arthur Verocai | D Minor | 5 | 7A | 93 BPM | ||
| Mas, Que Nada! | Tamba Trio | F Major | 6 | 7B | 81 BPM | ||
| Désintegration-France | O.R.E.A. | A Minor | 7 | 8A | 92 BPM | ||
| Tumbao No. 5 (Para Charlie Mingus) - with Angá Díaz, Amadito Valdés, Carlos González, Manuel Galbán & Bigga Morrison | Orlando "Cachaíto" López, Angá Diaz, Amadito Valdés, Carlos González, Manuel Galbán, Bigga Morrison | G Major | 5 | 9B | 135 BPM | ||
| Merci Bon Dieu | Charlie Rouse | B Minor | 3 | 10A | 113 BPM | ||
| Uma Valsa E Dois Amores | Sebastiao Tapajós | E Major | 3 | 12B | 122 BPM | ||
| Gaucho (Corta-Jaca) | Abel Ferrara | D Minor | 5 | 7A | 89 BPM | ||
| Chorinho Pra Você | Paulo Moura | A Minor | 5 | 8A | 106 BPM | ||
| Bananeira (Remastered) | Emílio Santiago | F♯ Minor | 9 | 11A | 100 BPM | ||
| Canto de Ossanha | Baden Powell, Quarteto Em Cy | G Minor | 4 | 6A | 90 BPM | ||
| Pot Pourri: Eu e Meu Amor/ Lamento No Morro | Quarteto Jobim-Morelenbaum | G Major | 5 | 9B | 96 BPM | ||
| Dis-lui que je l'aime comme mon pays | Boubacar Traoré | B♭ Minor | 7 | 3A | 78 BPM | ||
| Ayalqem Tèdèngo | Akalé Wubé | B Major | 3 | 1B | 147 BPM |