"Mothers' Instinct (End Credits)" by Anne Nikitin had its release date on March 29, 2024. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mothers' Instinct (End Credits)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anne Nikitin's "Mothers' Instinct (Original Motion Picture Soundtrack)" album is number 16 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mothers' Instinct (End Credits)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mothers' Instinct (End Credits) by Anne Nikitin to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Of Her Word | Andrew Lockington | A♭ Minor | 0 | 1A | 70 BPM | ||
| Cançao de Ninar pra Yanuni | H. Scott Salinas, Tomás Videla | B♭ Minor | 2 | 3A | 95 BPM | ||
| Hospital Ward | Howard Shore | G Major | 2 | 9B | 112 BPM | ||
| Journey | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| We Have Each Other | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| We Will Be Strong (Chazak, Chazak, v'nitchazek) | Hans Zimmer, Kara Talve | C Minor | 3 | 5A | 173 BPM | ||
| Tote Sonne | Saleh Sarabov, Saleh Sarab | E Major | 1 | 12B | 45 BPM | ||
| Hiding Place | Zack Ryan | G Minor | 2 | 6A | 75 BPM | ||
| Lissa’s theme - From "Best Laid Plans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| 密室疑踪 | 赵敏 | C Major | 1 | 8B | 120 BPM | ||
| James Runs | Johan Söderqvist | B Minor | 3 | 10A | 79 BPM | ||
| Thursgood | Alberto Iglesias | A Major | 1 | 11B | 133 BPM | ||
| Sorry For The Time We Missed | Caroline Ho | D Major | 0 | 10B | 92 BPM | ||
| The Wave | David Schweitzer | C Minor | 3 | 5A | 96 BPM | ||
| Echo | Luzima | A Major | 2 | 11B | 81 BPM | ||
| Conclusion | Nicholas Britell, Caitlin Sullivan | G Major | 1 | 9B | 103 BPM | ||
| Transactional | Andrew Lockington | A Minor | 3 | 8A | 73 BPM | ||
| They Didn't Look Real | Thomas Newman, Julia Newman | C Minor | 0 | 5A | 100 BPM | ||
| La Estrategia | Reino De Fuego | A♭ Major | 2 | 4B | 138 BPM | ||
| Sophie To Whitehall | Johan Söderqvist | C Minor | 2 | 5A | 83 BPM | ||
| Lord of the Manor | Jon Opstad | F Minor | 5 | 4A | 143 BPM | ||
| Talk About Something | Anne Nikitin, Jessica Jones, Tim Morrish | A♭ Major | 0 | 4B | 140 BPM | ||
| It's Not Just About You | Nico Muhly | G Minor | 1 | 6A | 92 BPM | ||
| Contraposiciones | Verdes Atardeceres | B♭ Minor | 3 | 3A | 115 BPM | ||
| Stateira's Fate | Taran Mitchell | B Major | 4 | 1B | 147 BPM |