"A Mathematical Genius" by David Celeste had its release date on September 15, 2017. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 8 in Forensic by David Celeste. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. A Mathematical Genius is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Mathematical Genius by David Celeste is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rain & Saturdays | Josh Leake | F Major | 3 | 7B | 164 BPM | ||
| Paradigm Shift | Gavin Luke | C Major | 3 | 8B | 138 BPM | ||
| Rae | Kevin Graham | G Minor | 1 | 6A | 120 BPM | ||
| Memories of a Distant Land | Philip Ayers | D Minor | 1 | 7A | 84 BPM | ||
| Vikersund | RØRE, Avery Bright | D Major | 2 | 10B | 140 BPM | ||
| Ivory Tower | Philip Ayers | C Major | 2 | 8B | 129 BPM | ||
| A Final Chapter | Asti Fajriani, Bardic Fae | B♭ Major | 0 | 6B | 79 BPM | ||
| Birds of Eden | David Celeste | C Major | 0 | 8B | 64 BPM | ||
| Across the Moor | Sarnia | E Minor | 2 | 9A | 81 BPM | ||
| It Will Come Back | The Stolen Orchestra | G Major | 3 | 9B | 115 BPM | ||
| The Stunning Ordinary | Hannah Parrott | A Minor | 2 | 8A | 106 BPM | ||
| Before the Lens (Solo Piano) | Steven Gutheinz | E♭ Major | 2 | 5B | 180 BPM | ||
| Invincible | Edgar Hopp | D Minor | 4 | 7A | 141 BPM | ||
| In Another Life | Kevin Graham | B♭ Minor | 2 | 3A | 80 BPM | ||
| City of Silent Wishes | Hampus Naeselius | C Major | 1 | 8B | 59 BPM | ||
| Transcendence | Johannes Bornlöf | G Minor | 3 | 6A | 130 BPM | ||
| Wildflower | Gray North | C Major | 1 | 8B | 72 BPM | ||
| A Key Figure | David Celeste | F♯ Minor | 4 | 11A | 124 BPM | ||
| The Greatest Quest | Adriel Fair | C Minor | 2 | 5A | 175 BPM | ||
| Deep Lake | Romeo | E Minor | 3 | 9A | 123 BPM | ||
| Somewhere Else | Omar Raafat | E Minor | 2 | 9A | 149 BPM | ||
| Departure | Samuel Bohn | G Minor | 4 | 6A | 140 BPM | ||
| Voice of the Sea | Bonnie Grace | A♭ Major | 1 | 4B | 58 BPM | ||
| Taken | ABBOTT | D♭ Minor | 1 | 12A | 88 BPM | ||
| Suppose | Jordan Clark, Jokardon | G Minor | 2 | 6A | 74 BPM |