"The Contact" by Jonathan Gilmer had its release date on May 1, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 4 out of 10 in Codes Commanded (Original Soundtrack) by Jonathan Gilmer. The Contact is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Contact by Jonathan Gilmer is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The 212th (Original Soundtrack) | Kenny Serane | F♯ Minor | 7 | 11A | 91 BPM | ||
| ULTRAMAN | 戸田信子, 陣内一真 | D Minor | 6 | 7A | 72 BPM | ||
| Enter The Dark (From "Perfect Dark") | DonutDrums | D♭ Major | 7 | 3B | 95 BPM | ||
| Stage 1-2: Base - Contra | Twinstrumental | B Major | 6 | 1B | 135 BPM | ||
| Intro - Birth of War | Joris de Man | G Major | 3 | 9B | 140 BPM | ||
| Armed Machine | Net-Zone | G Minor | 7 | 6A | 125 BPM | ||
| Cometh the Hour - From "Bleach: Thousand Year Blood War" | Hurakion | A Minor | 9 | 8A | 102 BPM | ||
| MI PODER | FLY BEATS | C Minor | 4 | 5A | 172 BPM | ||
| Gorilla Warfare | Transformers | B Minor | 5 | 10A | 156 BPM | ||
| Battlefield Theme - Orchestral Version | Mikael Karlsson | G Minor | 4 | 6A | 169 BPM | ||
| Battlefield 6 "Warsaw" Theme | Henry Jackman | D♭ Major | 9 | 3B | 105 BPM | ||
| ACES (Ace Combat Medley) | Lucas Ricciotti | F♯ Major | 3 | 2B | 117 BPM | ||
| Motorhead | A. Romanov | A♭ Minor | 2 | 1A | 108 BPM | ||
| Modern Warfare II | Sarah Schachner | F Major | 5 | 7B | 155 BPM | ||
| BDF | Jeremy Sahl, Justin Sahl | D♭ Major | 4 | 3B | 170 BPM | ||
| Nuclear Escalation | Jeremy Sahl, Justin Sahl | D♭ Major | 4 | 3B | 170 BPM | ||
| What's My Name? | Jonathan Gilmer | C Major | 8 | 8B | 63 BPM | ||
| Trapped In Amber | Halo, Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee White | A Minor | 10 | 8A | 121 BPM | ||
| Monster Fight | Sinyells | E Minor | 10 | 9A | 160 BPM | ||
| Metal Squad (From "Thunder Force IV") | Megadriver | D♭ Major | 10 | 3B | 195 BPM | ||
| Title Screen | SeZon | D Major | 9 | 10B | 168 BPM | ||
| Search and Destroy | Frank Klepacki | F♯ Minor | 6 | 11A | 140 BPM | ||
| First Breach | Sascha Dikiciyan | F♯ Major | 9 | 2B | 105 BPM | ||
| Dying Light 10th Anniversary "Relentless" | Pawel Blaszczak | C Minor | 4 | 5A | 120 BPM | ||
| Winter Contingency | Martin O'Donnell, Michael Salvatori | F Minor | 5 | 4A | 83 BPM |