"Tidal" by Auburn Lull had its release date on September 1, 1999. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Tidal's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 10 in Alone I Admire by Auburn Lull. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Tidal is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tidal by Auburn Lull is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Never Lose. Never Really | Belong | F♯ Major | 4 | 2B | 71 BPM | ||
| Let Yourself Go | Hollowphonic | C Major | 4 | 8B | 81 BPM | ||
| All of My Tears | Spiritualized | C Major | 4 | 8B | 170 BPM | ||
| Blood Rush | Bark Psychosis | C Minor | 3 | 5A | 87 BPM | ||
| Thunderbird Road | Robin Guthrie | D Major | 2 | 10B | 75 BPM | ||
| Built to Last | Southpacific | A♭ Major | 7 | 4B | 137 BPM | ||
| Failing Yesterday | Jessica Bailiff | D Major | 3 | 10B | 109 BPM | ||
| City of the Future | Tristeza | D♭ Major | 5 | 3B | 121 BPM | ||
| Codeine | Daniel Land & The Modern Painters | E Major | 5 | 12B | 146 BPM | ||
| Trenches | Auburn Lull | A Major | 2 | 11B | 92 BPM | ||
| Peekaboo | Swallow | D Major | 2 | 10B | 171 BPM | ||
| Secret Love | Malory | C Major | 6 | 8B | 110 BPM | ||
| Here Eyes Are Huge | His Name Is Alive | G Major | 3 | 9B | 83 BPM | ||
| Japanese Heart Software | Pia Fraus | E♭ Major | 6 | 5B | 70 BPM | ||
| Summer | Movietone | B Minor | 1 | 10A | 90 BPM | ||
| Sunrise | Windy & Carl | D Major | 3 | 10B | 129 BPM | ||
| Where the Leaves No Longer Grow | Landing | G Major | 5 | 9B | 115 BPM | ||
| Otra Mantra | Joe Harvey-Whyte, Geir Sundstøl, Erland Dahlen | C Minor | 3 | 5A | 87 BPM | ||
| Motion Picture Soundtrack (Demo) | muvii | C Minor | 3 | 5A | 87 BPM | ||
| Interstellar Chorale | Voyager 105 | F Major | 1 | 7B | 42 BPM | ||
| Mine | Mirrorring | A Major | 4 | 11B | 117 BPM | ||
| Out of Phase | Bowery Electric | E Major | 3 | 12B | 76 BPM | ||
| Violence | Low | D Major | 2 | 10B | 98 BPM | ||
| Memdrive | Should | A Major | 6 | 11B | 89 BPM | ||
| Sharp, Twisted | Yume Bitsu | G Major | 7 | 9B | 109 BPM |