On December 31, 1973, the song "Tharana (Live) -Msgopalakrishnan" was released by M.S. Gopalakrishnan, M. Narmada. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in M.S. Gopalakrishnan's "M.S. Gopalakrishnan" album is number 13 out of 15. On top of that, India appears to be the country where this track was created. In terms of popularity, Tharana (Live) -Msgopalakrishnan is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tharana (Live) -Msgopalakrishnan by M.S. Gopalakrishnan, M. Narmada to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nijagada Sa | Sindhubhairavi | Instrumental (Veena & Mridangam) | Ramana Balachandhran | B♭ Major | 1 | 6B | 113 BPM | ||
| Malagi Paramaadaradi | Vidyabhushana | G Major | 4 | 9B | 180 BPM | ||
| Agaramumagi - Suddhasaveri - Adi | Akkarai Subhalakshmi | A Major | 7 | 11B | 92 BPM | ||
| Payoji | Mysore M. Nagaraj, Pravin Godkhindi | A Major | 8 | 11B | 155 BPM | ||
| Bhagyada Lakshmi | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Keesu Keesendru | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| Shehnai [Bhimpalasi] - Ustad Bismillah Khan | Ustad Bismillahkhan | D Major | 4 | 10B | 112 BPM | ||
| Raag Darbar - Varnam [Kriti - Thiruvathiyur Thyagayyar (Chala Mela) Adi Taal] | M.S. Gopalakrishnan | B Minor | 6 | 10A | 103 BPM | ||
| Bhoop - Instrumental | Pravin Godkhindi, Madhusudan, Arun Sukumar, Shabbir | D Major | 7 | 10B | 165 BPM | ||
| Krishna Nee Begane - Raga Yamuna Kalyani - Tala Misra Chapu | Aruna Sairam, S. Karthick, J. Vaidyanathan, Archana | B♭ Major | 3 | 6B | 139 BPM | ||
| Ennam Ellam (Pantuvarali Varnam by Ramana Balachandhran) | Ramana Balachandhran | G Major | 4 | 9B | 168 BPM | ||
| Annapoorne Vishalakshi | M.S. Gopalakrishnan | F♯ Minor | 4 | 11A | 160 BPM | ||
| Raga Behag - Idhu Thaano Tillai Sthalam | M.S. Gopalakrishnan | B Major | 3 | 1B | 114 BPM | ||
| Tarana in Bhupali | Ali Akbar Khan | F Major | 6 | 7B | 109 BPM | ||
| Sitar Rudrapriya | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Varnam | T. N. Krishnan | F♯ Minor | 6 | 11A | 129 BPM | ||
| Kalyani Raga | V.S.Narasimhan | E Minor | 1 | 9A | 130 BPM | ||
| Marugelara | A.Kanyakumari,R.Ramesh, M. L. Vasanthakumari | D♭ Major | 7 | 3B | 173 BPM | ||
| Jhunpuri - Instrumental | Ustad Bismillahkhan | D Major | 4 | 10B | 101 BPM | ||
| Kriti: "Mīnākṣi Me Mudam" / Pallavi | Ranganayaki Rajagopalan, Raja Rao | G Minor | 3 | 6A | 145 BPM | ||
| Thillana | E.Gaayathri | B♭ Minor | 5 | 3A | 169 BPM | ||
| Ennathavam - Ragam: Kapi / Talam: Adi (Papanasam Sivan) | Lalgudi G. Jayaraman | B♭ Minor | 3 | 3A | 73 BPM | ||
| Bhogindra Shayinam - Kuntalavarali | M.S. Gopalakrishnan | B Minor | 4 | 10A | 99 BPM | ||
| Vathapi Ganapatim | Muthuswami Dikshitar | G Minor | 8 | 6A | 99 BPM | ||
| Mangaḷam: "Pavamāna" | Ranganayaki Rajagopalan, Raja Rao | F Minor | 3 | 4A | 107 BPM |