"No Longer a Future to Foresee" by Shadow's Symphony had its release date on October 23, 2021. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. No Longer a Future to Foresee's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Funereal Age Descends". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, No Longer a Future to Foresee is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No Longer a Future to Foresee by Shadow's Symphony having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Waiting Room | Coltrin Compositions | C Major | 1 | 8B | 141 BPM | ||
| Call Me | Hamzayev Ahmad, Hamza Ahmad | D♭ Major | 6 | 3B | 100 BPM | ||
| Confrontation | Yeonjeong Kim | G Minor | 0 | 6A | 128 BPM | ||
| Figuras Paternas | Universos Terrenales | C Major | 1 | 8B | 75 BPM | ||
| Mina's Lament | Elemental SoundWorks | A♭ Major | 1 | 4B | 78 BPM | ||
| Like a Bird | Denis Christ, DEUX | E♭ Major | 5 | 5B | 100 BPM | ||
| Creatures of the night | Dark Fantasy Studio | E Minor | 5 | 9A | 130 BPM | ||
| Neverwinter: Neverdeath Graveyard Background | Supernova Collective | B Major | 4 | 1B | 139 BPM | ||
| Golden Throne (Warhammer 40k Inspired) | Adeptus Sanctum | F Minor | 1 | 4A | 67 BPM | ||
| Wind Across the Threshold | Shadow's Symphony | D♭ Minor | 3 | 12A | 61 BPM | ||
| Control | Aleksey Voron | E♭ Major | 2 | 5B | 128 BPM | ||
| Horns | Dark Fantasy Studio | A Minor | 8 | 8A | 119 BPM | ||
| Friction | LinoDropsDead | D♭ Minor | 5 | 12A | 108 BPM | ||
| Cuckoo Clock | Suat Can | G Major | 3 | 9B | 33 BPM | ||
| Provinces Adrift | Alexei Zakharov | B♭ Minor | 5 | 3A | 110 BPM | ||
| Bakumatsu III | Akihiro Manabe | D♭ Minor | 5 | 12A | 108 BPM | ||
| Impetus | Scott Buckley | D♭ Minor | 5 | 12A | 108 BPM | ||
| A Letter in the Tavern | Cave Spellcaster | F Major | 1 | 7B | 101 BPM | ||
| Venus | Julián Guajardo | A♭ Minor | 4 | 1A | 120 BPM | ||
| Rastros Perdidos | Fronteras Lejanas | D Minor | 2 | 7A | 85 BPM | ||
| A Faint Glow from the Shadows | Shadow's Symphony | B♭ Minor | 5 | 3A | 63 BPM | ||
| Battle II | Akihiro Manabe | D♭ Minor | 5 | 12A | 108 BPM | ||
| Catapulta | Non Binary | C Major | 6 | 8B | 110 BPM | ||
| Halsskov Odde | No Rest for the Forsaken | A Minor | 0 | 8A | 67 BPM | ||
| Sinister Basement Scream Halloween FX | Scary Sounds, Creepy Sounds, Spooky Sounds | A♭ Major | 1 | 4B | 143 BPM |