On January 1, 1995, the song "Lagrimas" was released by Ricardo Tanturi. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Lagrimas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 78 in Así se Baila el Tango by Ricardo Tanturi. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, Lagrimas's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Lagrimas by Ricardo Tanturi is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sin Sabor | Orquesta Social Tango | G Major | 4 | 9B | 135 BPM | ||
| Uno | Osvaldo Fresedo, Oscar Serpa | E Minor | 3 | 9A | 123 BPM | ||
| Adios Arrabal | Angel D'Agostino, Ángel Vargas | E Minor | 3 | 9A | 123 BPM | ||
| Viejo Portón | Pablo Valle Sexteto | A♭ Major | 4 | 4B | 114 BPM | ||
| Igual Que una Sombra | Ricardo Tanturi, Enrique Campos | E Minor | 3 | 9A | 123 BPM | ||
| Lagrimas | Ricardo Tanturi | E Minor | 3 | 9A | 123 BPM | ||
| Y Todavia Te Quiero | Carlos Di Sarli, Roberto Florio | B Minor | 3 | 10A | 108 BPM | ||
| Oh, Donna Clara | Florindo Sassone Y Su Orquesta | A Major | 3 | 11B | 118 BPM | ||
| Mi dolor | Hyperion Ensemble, Ruben Peloni | D Minor | 4 | 7A | 138 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| Remembranza | Orquesta Ricardo Malerba, Orlando Medina, Mario Melfi, Mario Battistella | C Major | 3 | 8B | 120 BPM | ||
| Incomprensión | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Es En Vano Llorar | Miguel Caló, Raul Iriarte | E Minor | 3 | 9A | 124 BPM | ||
| Milonga del Uruguay | Donato Racciatti y Su Orquesta Típica | E Minor | 6 | 9A | 109 BPM | ||
| Vamos corazon | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | F Minor | 2 | 4A | 133 BPM | ||
| Junto a tu corazon | Orquesta Carlos di Sarli, Alberto Podesta | B Minor | 3 | 10A | 123 BPM | ||
| Torrente | Hyperion Ensemble, Ruben Peloni | B Major | 4 | 1B | 117 BPM | ||
| Suerte Loca | Enrique Rodríguez, Armando Moreno | C Major | 2 | 8B | 134 BPM | ||
| Cantor de barrio | Ricardo Tanturi, Enrique Campos | A Minor | 4 | 8A | 125 BPM | ||
| La cicatriz (Arr. D'Arienzo) | Cuarteto Soltango | D Minor | 3 | 7A | 112 BPM | ||
| Adios Buenos Aires | Orquesta Tipica Victor | E Minor | 3 | 9A | 126 BPM | ||
| Pura Clase | Rodolfo Biagi Y Su Orquesta Tipica | D Minor | 2 | 7A | 135 BPM | ||
| Vuelve amor | Orquesta Fulvio Salamanca, Armando Guerrico | D Major | 3 | 10B | 78 BPM | ||
| Enamorado | Juan D'Arienzo | E Minor | 3 | 9A | 123 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM |