"Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io!" by Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Kim-Lillian Strebel, Marija Jokovic, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon had its release date on November 6, 2015. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Zandonai: Francesca da Rimini, Op. 4 by Riccardo Zandonai, Martin Mühle, Juan Orozco, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon. The song's track number on the album is #24 out of 49 tracks. Based on our data, Germany was the country where this track was produced or recorded. Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io! by Riccardo Zandonai, Christina Vasileva, Benedicte Tauran, Kim-Lillian Strebel, Marija Jokovic, Sally Wilson, Philharmonisches Orchester Freiburg, Fabrice Bollon has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Op. 4, Act IV: Oh! No, no! Non sono io! being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Pasquale, Act I Prima scena: Son nov'ore (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini/Leo Nucci/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Paolo, datemi pace! | Riccardo Zandonai, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D♭ Major | 3 | 3B | 83 BPM | ||
| Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) | Giacomo Puccini, Victor de Sabata, Franco Calabrese, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 78 BPM | ||
| Lucia di Lammermoor / Act 3: "Orrida è questa notte" | Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 1 | 7B | 49 BPM | ||
| Werther, Act II: Frère, voyez!...Du gai soleil, plein de flamme (Werther/Albert/Sophie) | Georges Prêtre, Orchestre de Paris, Nicolai Gedda | G Minor | 1 | 6A | 176 BPM | ||
| Tosca / Act 2: Vittoria! Vittoria! | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 5 | 4A | 62 BPM | ||
| La Cenerentola / Act 1: "Venga, inoltri" - "Sapientissimo Alidoro" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 1 | 4B | 91 BPM | ||
| Wagner: Tristan und Isolde, Act 1: "Welcher Wahn! Welch' eitles Zürnen!" (Brangäne, Isolde) | Richard Wagner, Herbert von Karajan, Christa Ludwig, Helga Dernesch, Berliner Philharmoniker | C Major | 1 | 8B | 131 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Ho, Ho! Wer spek-spektakelt" [Stepmother, Father] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E Major | 1 | 12B | 163 BPM | ||
| Otello - Fire of Rejoicing | Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner, Ernst Stoy | B♭ Major | 1 | 6B | 139 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Carmen / Act 3: Introduction: "Ecoute, compagnon, écoute!" | Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, José Carreras, Gino Quilico, Heinz Zednik, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris, Jean Laforge | C Minor | 0 | 5A | 99 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Falstaff, Act II: E sogno o realtà? | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Carmen / Act 1: Chanson et Mélodrame: "Avez-vous quelque chose à ré- pondre?..." "Tra la la la ...." | Georges Bizet, Agnes Baltsa, Jean-Noel Sissia, Maria Laborit, Alain Hitier, Jean Barney, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 97 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 9, Novissima hora est; and I fain would sleep (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| La Gioconda / Act 1: E cantan su lor tombe! | Amilcare Ponchielli, Sherrill Milnes, Montserrat Caballé, Alfreda Hodgson, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 165 BPM | ||
| Francesca da Rimini, Act II: È dolce cosa rivedere la vostra faccia (Live) | Riccardo Zandonai, Magda Olivero, Orchestra Del Teatro Alla Scala, Milano, Mario del Monaco, Gianandrea Gavazzeni | D♭ Minor | 2 | 12A | 176 BPM | ||
| Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | ||
| Carmen / Act 1: Votre mère avec moi sortait de la chapelle | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 129 BPM |