Sanju Sharma's ' "Chaya Re Basenti Rang" was released on its scheduled release date, December 29, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sanju Sharma's "Lo Fagun Aaya Re" album is number 3 out of 7. Based on our statistics, Chaya Re Basenti Rang's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chaya Re Basenti Rang by Sanju Sharma to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaun Kahe Teri Mahima | Dinesh Pathik | B♭ Minor | 5 | 3A | 106 BPM | ||
| Radha Rani Rooth Gayi | Anup Jalota, Roli Prakash | F♯ Major | 6 | 2B | 88 BPM | ||
| Tune Aise Darbaar | Shahnaaz Akhtar | D♭ Major | 6 | 3B | 150 BPM | ||
| Namami Gange | Abhishek Bajpai, Ashish Ashu Dixit | B Major | 5 | 1B | 118 BPM | ||
| Murliwale Ne Gher Lai | Hari Om Sharan | F♯ Major | 7 | 2B | 93 BPM | ||
| Awat Hohi Baba | Gorelal Barman, Ratan Sabiha | E Major | 6 | 12B | 152 BPM | ||
| Sarswati Maa Aarti | Sadhana Sargam | G Major | 5 | 9B | 75 BPM | ||
| O Sawariya Aankhya Khol | Sanju Sharma | F♯ Major | 6 | 2B | 135 BPM | ||
| Mai To Jo Kuch Bhi Hu | Reshmi Sharma | A Major | 9 | 11B | 99 BPM | ||
| Bhar De Re Shyam Jholi Bhar De | Minkashi Sharma | A♭ Minor | 9 | 1A | 146 BPM | ||
| Sher Pe Sawar Hoke Aaja Meri Maa - Hindi | Vivek Vashisth, Rashmi Yogini | B♭ Minor | 7 | 3A | 80 BPM | ||
| Taasha Koi Bajaye | Sonu Nigam | F Major | 8 | 7B | 99 BPM | ||
| Tha Bin Nath Anath Sudh Kun Lesi Mahari | Jaswant Rajasthani, Sanju Sharma | A♭ Major | 4 | 4B | 128 BPM | ||
| Tu Lagale Re Jaykara | Riza Khan, Bali Thakre | F♯ Major | 8 | 2B | 95 BPM | ||
| Chal Gora Rani Mela Dikha Du Haridwar | Chanchal Prajapati | F♯ Minor | 9 | 11A | 100 BPM | ||
| Hum Shyam Bihari Ke Chele Hai | Shubham Rupam | E Major | 9 | 12B | 87 BPM | ||
| Jaharveer Chalisa - Original | Arun Prajapati | B♭ Minor | 8 | 3A | 200 BPM | ||
| Aana Pawan Kumar Hamare Hari Keertan Mein | Anup Jalota, Chandra Kamal | D♭ Minor | 9 | 12A | 142 BPM | ||
| Sapna Ma | Sheikh Ameen, Anjali Shukla | G Minor | 7 | 6A | 142 BPM | ||
| Karti Hoon Vrat Main Pooja Vidhi Se | Kavita Paudwal | E Minor | 7 | 9A | 80 BPM | ||
| Bich Re Bhanwar Me Dagmag | Kalpana Patowary | F Major | 5 | 7B | 144 BPM | ||
| Udhe Sawariye | Sanju Sharma | G Major | 8 | 9B | 136 BPM | ||
| Maa Kamakhya Chalisa (Kamakhya Ka Vimal Yash) | Madhusmita | E♭ Major | 7 | 5B | 91 BPM | ||
| Dilma Lagake Nishana | Hiresh Sinha, Jiteshwari Sinha, Shalini Vishvakarma, Jittu Dularva | E Minor | 8 | 9A | 95 BPM | ||
| Kaga Chhat Par | Ram Shankar | C Major | 5 | 8B | 84 BPM |