"Logan Meets Gambit" by Harry Gregson-Williams had its release date on May 5, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of X-Men Origins: Wolverine (Original Motion Picture Soundtrack) by Harry Gregson-Williams. The song's track number on the album is #9 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Logan Meets Gambit is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Logan Meets Gambit by Harry Gregson-Williams has a tempo of 160 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Logan Meets Gambit being at 160 BPM, the half-time would be 80 BPM with a double-time of 320 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All's Well That End's Well | Christian Henson | B Major | 1 | 1B | 135 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM | ||
| I Won't Leave You | Clinton Shorter | D Major | 1 | 10B | 119 BPM | ||
| Coastal Vivarium | J Scott Rakozy, Hogwarts Legacy | C Major | 3 | 8B | 75 BPM | ||
| National Treasure Suite | Trevor Rabin | B♭ Minor | 4 | 3A | 98 BPM | ||
| Dragon Age Inquisition Theme | Trevor Morris | D Major | 5 | 10B | 128 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| Prince Caspian Flees - Score | Harry Gregson-Williams | G Minor | 7 | 6A | 75 BPM | ||
| Lord Of The Isles | BBC Scottish Symphony Orchestra | G Major | 2 | 9B | 135 BPM | ||
| Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
| Haiku | Thomas Newman | F♯ Major | 1 | 2B | 80 BPM | ||
| Rescue Continues | Rupert Gregson-Williams | E Minor | 4 | 9A | 122 BPM | ||
| Sygrayem (Let's Play) | Carlos Rafael Rivera | F Major | 0 | 7B | 77 BPM | ||
| The Ministry of Magic | Nicholas Hooper | A♭ Major | 0 | 4B | 85 BPM | ||
| Chapters | Geoff Zanelli, Jon Brion | G Major | 4 | 9B | 170 BPM | ||
| Here There Are Flowers | Lucas King | F Minor | 1 | 4A | 51 BPM | ||
| War and Peace - Main Title | Jan A.P. Kaczmarek | B Major | 3 | 1B | 107 BPM | ||
| Only Four Men | Paul Haslinger | C Minor | 3 | 5A | 91 BPM | ||
| The Only Family I Got | Thomas Wander, Harald Kloser | D Minor | 0 | 7A | 55 BPM | ||
| Salamander Eyes | James Newton Howard | D Major | 0 | 10B | 105 BPM | ||
| Robin Speaks | Marc Streitenfeld | D Major | 1 | 10B | 79 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Scotland | BBC Scottish Symphony Orchestra | A Minor | 4 | 8A | 67 BPM | ||
| Climbing up "Iknimaya - The Path to Heaven" | James Horner | A Major | 3 | 11B | 90 BPM | ||
| The Grey Havens | Chance Thomas | D Minor | 1 | 7A | 85 BPM |