"44のデュオより 第9番 遊びの歌~第25番 ハンガリーの歌Ⅱ~第38番 ルーマニアの旋回舞曲" by B. バルトーク, 冨岡裕子(サックス), 田中拓也(サックス) had its release date on July 25, 2016. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 44のデュオより 第9番 遊びの歌~第25番 ハンガリーの歌Ⅱ~第38番 ルーマニアの旋回舞曲's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in ars サクソフォン・デュオ作品集 by 冨岡裕子(サックス), 田中拓也(サックス). Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 44のデュオより 第9番 遊びの歌~第25番 ハンガリーの歌Ⅱ~第38番 ルーマニアの旋回舞曲 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 44のデュオより 第9番 遊びの歌~第25番 ハンガリーの歌Ⅱ~第38番 ルーマニアの旋回舞曲 by B. バルトーク, 冨岡裕子(サックス), 田中拓也(サックス) is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): V. Variation IV | Saverio Mercadante, Claudio Ferrarini | D♭ Major | 1 | 3B | 110 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Fabio Biondi, Luigi Di Llio | B♭ Major | 1 | 6B | 77 BPM | ||
| Piano Trio in B-Flat Major, Op. 36 No. 3, Hob. XV:20: II. Andante cantabile | Joseph Haydn, Stefan Tarara, Eun-Sun Hong, Josu De Solaun | A Major | 3 | 11B | 152 BPM | ||
| 9つのバガテル 『14のバガテル』Op.6より 第1番 | B. バルトーク, ザ・ブラス・ゼクステット, 福田善亮(トランペット), 高橋敦(トランペット), 松崎裕(ホルン), 小田桐寛之(トロンボーン), 秋山鴻市(バス・トロンボーン), 渡辺功(テューバ) | F Major | 1 | 7B | 137 BPM | ||
| 44のデュオより 第2番 カラマイカ(メイポール・ダンス)~第3番 メヌエット~第30番 新年の挨拶Ⅲ | B. バルトーク, 冨岡裕子(サックス), 田中拓也(サックス) | G Major | 0 | 9B | 113 BPM | ||
| 24 Préludes, Op. 28: No. 20 in C Minor (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | A♭ Major | 0 | 4B | 88 BPM | ||
| Chanson de matin, Op. 15 No. 2 | Edward Elgar, Geneviève Laurenceau, Jean-Frédéric Neuburger | D♭ Major | 1 | 3B | 110 BPM | ||
| Verdi: String Quartet in E Minor: III. Prestissimo | Giuseppe Verdi, Quartetto Noûs | G Major | 1 | 9B | 120 BPM | ||
| Allegro for Viola da Gamba Solo in D Major, Drexel Manuscript No. 1 Wko186 A1 | Carl Friedrich Abel, Alejandro Marías | D♭ Major | 1 | 3B | 154 BPM | ||
| Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: II. L'idifférente | Jean-Philippe Rameau, Juho Pohjonen | A Major | 1 | 11B | 82 BPM | ||
| 9つのバガデル Ⅴ.ヴィーヴォ | B. バルトーク, 東京トロンボーン・クァルテット, 栗田雅勝(トロンボーン), 神谷敏(トロンボーン), 小田桐寛之(トロンボーン), 秋山鴻市(トロンボーン) | F Minor | 0 | 4A | 69 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| The Lark | Mario Castelnuovo-Tedesco, Jascha Heifetz | C Major | 3 | 8B | 92 BPM | ||
| リュートのための古風な舞曲とアリア 第3組曲 第3曲:シチリアーナ | Fumiaki Miyamoto, オーケストラMAP'S | A♭ Minor | 5 | 1A | 135 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): I. Introduzione adagio e un poco più mosso | Ernst Krähmer, Claudio Ferrarini | D♭ Major | 1 | 3B | 110 BPM | ||
| Caprice No. 5 in B-Flat Major | Joseph-Marie-Clement Dall'Abaco, Kristin von der Goltz | G Major | 1 | 9B | 64 BPM | ||
| Suite in A Minor, Krebs-WV 819: IV. Courrante | Johann Ludwig Krebs, Steven Devine | B Major | 3 | 1B | 94 BPM | ||
| 44の二重奏より 第38番 ルーマニア旋回舞曲 | B. バルトーク, 川崎雅夫(ヴィオラ), 店村眞積(ヴィオラ) | B♭ Major | 2 | 6B | 74 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): IV. Variazione II | Ernst Krähmer, Claudio Ferrarini | G Major | 2 | 9B | 73 BPM | ||
| El Travagliato | The Royal Wind Music | D♭ Major | 0 | 3B | 111 BPM | ||
| String Quintet in E-Flat Major, Op. 41/1 G. 346 “Alla Turca”: IV. Allegro alla Turca | Luigi Boccherini, Karski Quartet, Raphael Feye | D♭ Major | 1 | 3B | 110 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): II. Variation 1 | Johann Baptist Vanhal, Claudio Ferrarini | D♭ Major | 1 | 3B | 110 BPM | ||
| Mozart: Oboe Quartet in F Major, K. 370/368b: II. Adagio | Wolfgang Amadeus Mozart, David Friedemann Strunck, Elise Båtnes, Henninge Landaas, Bjørn Solum, Arvid Engegard, Oslo Philharmonic Orchestra | D Minor | 1 | 7A | 90 BPM | ||
| Telemann / Arr. Veyron-Lacroix: Flute Sonata in A Major, TWV 41:A3: I. Adagio | Georg Philipp Telemann, Jean-Pierre Rampal, Robert Veyron-Lacroix | C Major | 3 | 8B | 198 BPM |