Hector Ayala, David Russell's 'Tonada' had a release date set for January 1, 2009. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Sonidos Latinos (eBooklet)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Based on our statistics, Tonada's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tonada by Hector Ayala, David Russell having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serie Americana: Tonada | Hector Ayala, Victor Villadangos | A Major | 1 | 11B | 123 BPM | ||
| Suite del Plata, No. 1: Preludio | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 107 BPM | ||
| Tango Angelita | Celedonio Romero, Vicente Coves | A Major | 1 | 11B | 96 BPM | ||
| Série américaine: Preludio | Hector Ayala, Alberto Ponce | E Minor | 0 | 9A | 121 BPM | ||
| Blackbird | Anabel Montesinos | G Major | 2 | 9B | 98 BPM | ||
| Serie Americana: VII. Gato y Malambo | Hector Ayala, Christine Petit-D'Heilly | E Minor | 1 | 9A | 150 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Shiri Coneh | F Major | 1 | 7B | 100 BPM | ||
| Guitar Sonata No. 1: II. Andante | Carlos Guastavino, Ausiàs Parejo | E Major | 2 | 12B | 91 BPM | ||
| Le corde vuote | Maurizio Baudino | A Minor | 1 | 8A | 80 BPM | ||
| Four at III: I. Barcarolle | Ronald Pearl, Robert Trent | D Minor | 1 | 7A | 80 BPM | ||
| Serie Americana: III. Takirari | Hector Ayala, Oliver Fartach-Naini | E Minor | 1 | 9A | 150 BPM | ||
| Aqua & Vinho | Alfredo da Rocha Riana, Robert O'Connor Miller, Egberto Gismonti | D Minor | 1 | 7A | 131 BPM | ||
| Albéniz: Suite Española No.1, Op. 47, Granada | Ana Vidović | A Minor | 0 | 8A | 134 BPM | ||
| Serie Americana: II. Choro | Hector Ayala, Christine Petit-D'Heilly | A Minor | 1 | 8A | 82 BPM | ||
| Danzas españolas, Op. 37: No. 10, Danza triste. Melancólica (Transc. Llobet for Guitar) | Enrique Granados, Raphaël Feuillâtre | G Major | 2 | 9B | 96 BPM | ||
| Suite Castellana: I. Fandanguillo | Federico Moreno Torroba, John Oeth | E Minor | 1 | 9A | 100 BPM | ||
| Le secret d'Hiroshigé | Mathias Duplessy, Zsófia Boros | E Minor | 0 | 9A | 124 BPM | ||
| Chôro a Rosa | Rubén Parejo, Ausiàs Parejo | E Major | 2 | 12B | 91 BPM | ||
| Aquarelle: II. Valseana | Sergio Assad, Graham Anthony Devine | D Major | 0 | 10B | 102 BPM | ||
| Studio op.100 n.13 - affettuoso | Mauro Giuliani, Lucio Matarazzo | E Minor | 2 | 9A | 65 BPM | ||
| Songs Without Words: Weary | Madame Sidney Pratten, Heike Matthiesen | D Major | 1 | 10B | 131 BPM | ||
| Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
| Serenata Gaia, Op. 75 | Raffaele Calace, Bulent Yazici, Ender Bilge | E Minor | 2 | 9A | 117 BPM | ||
| Suite Colombiana No. 2: III. Bambuco | Gentil Montaña, José Antonio Escobar | E Minor | 1 | 9A | 171 BPM | ||
| Misionera (Arr. J. Morel for Guitar) | Fernando Bustamante, Celil Refik Kaya | C Minor | 0 | 5A | 128 BPM |