Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling Song Details

"Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version)" by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 9 in Brahms: Choral Works by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Schicksalslied, Op. 54: Orchestral Postlude with Choir (Alternate Version) by Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -24.898 dB
Acousticness: 85%
Danceability: 15%
Energy: 6%
Instrumentalness: 90%
Liveness: 7%
Loudness: 59%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Requiem No. 1 in C Minor: Dies irae	Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	F Minor	1	4A	137 BPM
Requiem, Op. 9: II. Kyrie	Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra	F Major	2	7B	70 BPM
Requiem, Op. 48: V. Agnus Dei	Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra	F Major	0	7B	64 BPM
Requiem, Op. 48: VII. Libera me	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout	D Minor	1	7A	74 BPM
5 Lieder, Op. 41: No. 1, Wiegenlied (Transcr. for Mezzosoprano and Orchestra)	Richard Strauss, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon	C Minor	3	5A	76 BPM
Mass No. 2 in G Major, D. 167: I. Kyrie	Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz	G Major	1	9B	131 BPM
Gloria, FP 144: 2. Laudamus te	Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	F Major	2	7B	139 BPM
Requiem, Op.48: 6. Libera me (Bariton, Chorus)	Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann	E♭ Minor	1	2A	127 BPM
Stabat Mater, FP 148: X. Fac ut portem Christi mortem	Francis Poulenc, Carolyn Sampson, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss	D♭ Minor	1	12A	81 BPM
The Spectre's Bride, Op. 69, B. 135: No. 1, Už jedenáctá odbila (Choir)	Antonín Dvořák, Prague Philharmonia, Petr Altrichter, Český filharmonický sbor Brno, Petr Fiala	D♭ Major	1	3B	139 BPM
Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus"	Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado	C Major	1	8B	75 BPM
Nien, Geliebter, Setze Dich	Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller	E Major	0	12B	86 BPM
Stabat Mater, Op. 58: X. Quando corpus morietur (Andante con moto)	Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch	C Minor	1	5A	76 BPM
Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit	Johannes Brahms, Sir Simon Rattle, Berliner Philharmoniker, Dorothea Röschmann, Rundfunkchor Berlin	G Major	0	9B	100 BPM
Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit	Johannes Brahms, Christiane Oelze, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe	B♭ Major	0	6B	120 BPM
Te Deum, WAB 45: 1. Te Deum laudamus	Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll	C Minor	2	5A	126 BPM
Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Da zu dir der Heiland kam"	Richard Wagner, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti	C Major	2	8B	67 BPM
Kodály: Mountain Nights: No. 1, Andantino	Zoltán Kodály, Ilona Andor, Kodaly Girls Choir	D♭ Major	1	3B	139 BPM
Stabat Mater, FP 148: 6. Vidit suum	Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	C Major	1	8B	103 BPM
Ein deutsches Requiem, Op. 45: 2. Chor: "Denn alles Fleisch, es ist wie Gras"	Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	F Major	0	7B	75 BPM
Requiem in C Minor: III. Dies irae	Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala	C Minor	1	5A	85 BPM
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich	Johannes Brahms, Herbert von Karajan, José van Dam, Wiener Singverein, Berliner Philharmoniker	B♭ Major	2	6B	119 BPM
Mahler: Kindertotenlieder: No. 3, Wenn dein Mütterlein, tritt zur Tür herein	Gustav Mahler, Sir John Barbirolli, Dame Janet Baker, Hallé	D Major	1	10B	99 BPM
Carmina Burana: IV. Omnia Sol temperat	Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum	B♭ Major	0	6B	76 BPM
Wie der Hirsch schreit, Op. 42, MWV A15: Quintetto: Der Herr hat des Tages	Felix Mendelssohn, Sibylla Rubens, Scot Weir, Christoph Genz, Matthias Goerne, Thomas Mehnert, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling	B♭ Major	1	6B	69 BPM