ACO's ' "真正ロマンティシスト" was released on its scheduled release date, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in ACO's "material" album is number 4 out of 13. On top of that, Japan appears to be the country where this track was created. Based on our statistics, 真正ロマンティシスト's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of 真正ロマンティシスト by ACO to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| TEARDROP | ACO | D Major | 5 | 10B | 148 BPM | ||
| ここにしかないって言って | MONONKVL | D♭ Major | 6 | 3B | 92 BPM | ||
| Night Flight Telephone Call | HITOMITOI, PUNPEE | B Minor | 5 | 10A | 110 BPM | ||
| magenta rain | m-flo, Umjanna | D♭ Major | 7 | 3B | 90 BPM | ||
| PEACE -strings version- - Strings Version | JUDY AND MARY | C Major | 5 | 8B | 120 BPM | ||
| 砂の果実 | Miki Nakatani | B♭ Major | 4 | 6B | 142 BPM | ||
| Welcoming Morning | Chappie | E Major | 9 | 12B | 112 BPM | ||
| いけない子 | Rie Tomosaka | B♭ Major | 9 | 6B | 176 BPM | ||
| リトルダンス | callin' | D♭ Minor | 4 | 12A | 144 BPM | ||
| 人魚 | hal | A♭ Major | 4 | 4B | 125 BPM | ||
| 海原の人魚 | Cocco | B♭ Major | 2 | 6B | 112 BPM | ||
| あの頃 | Kaela Kimura | D Major | 9 | 10B | 150 BPM | ||
| Those Days〜あの日に帰りたい〜 | Sugar Soul | F Minor | 5 | 4A | 140 BPM | ||
| 夕凪 feat. Furukawa Sarah | OLD NICK aka DJ HASEBE, Furukawa Sarah | B Minor | 6 | 10A | 170 BPM | ||
| 太陽に背いて | CHIAKI SATO, Nobuaki Kaneko, Takeshi Kobayashi | D Major | 7 | 10B | 84 BPM | ||
| 立ち合い | Haruko Oishi | C Major | 2 | 8B | 138 BPM | ||
| So You Say | m-flo | D♭ Minor | 7 | 12A | 88 BPM | ||
| 帰れない2人 | JUDY AND MARY | E Minor | 2 | 9A | 99 BPM | ||
| すべてを守りたい | Yoko Kuzuya | E♭ Major | 7 | 5B | 140 BPM | ||
| 呼び声 | KUKIKODAN | G Major | 5 | 9B | 80 BPM | ||
| 町 | ACO | D♭ Major | 4 | 3B | 130 BPM | ||
| get back | 中村佳穂 | F♯ Major | 4 | 2B | 67 BPM | ||
| SUIMENKA Destiny | Nao Kodama, Kan Sano | E Minor | 5 | 9A | 130 BPM | ||
| エンゼル・コール | Tavito Nanao | E♭ Major | 7 | 5B | 110 BPM | ||
| 悦びに咲く花 | ACO | D♭ Major | 4 | 3B | 163 BPM |