Jimmy Raney, Doug Raney, Michael Moore, Billy Hart's 'I Should Care' had a release date set for January 1, 1986. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Stolen Moments". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Denmark. Based on our statistics, I Should Care's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I Should Care by Jimmy Raney, Doug Raney, Michael Moore, Billy Hart having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gaiety | Elian Tumbao | F Major | 3 | 7B | 80 BPM | ||
| Candlelight Groove | EugDJ | G Major | 5 | 9B | 106 BPM | ||
| Catalonian Nights | George Cables | F♯ Major | 3 | 2B | 97 BPM | ||
| Cloister Ravine | Blue Rectangles | C Minor | 1 | 5A | 76 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Door Slam | Daniel Cello | D♭ Minor | 0 | 12A | 143 BPM | ||
| Coachstop Mansion | Jazzhaus | C Minor | 1 | 5A | 118 BPM | ||
| Midtown Scene | Ella Blue | E♭ Major | 0 | 5B | 102 BPM | ||
| The Thin Line | Fifth Window | B Major | 1 | 1B | 88 BPM | ||
| I've Been In Love Before | Sonny Red | G Minor | 3 | 6A | 114 BPM | ||
| Moonlight Mambo Swing | diana cole | G Major | 3 | 9B | 184 BPM | ||
| I Got It Bad and That Ain't No Good | Milt Jackson Quartet | F Minor | 1 | 4A | 60 BPM | ||
| The Spirit | AethericArtisan | A Minor | 2 | 8A | 115 BPM | ||
| Tomorrow, Fairly Cloudy | Jimmy Raney | G Minor | 1 | 6A | 105 BPM | ||
| Little Rock | Tommy Flanagan Trio | F Minor | 5 | 4A | 92 BPM | ||
| Too Close For Comfort | Stan Getz Quartet | A♭ Major | 2 | 4B | 140 BPM | ||
| Stella By Starlight | Jimmy Bruno | B♭ Major | 1 | 6B | 128 BPM | ||
| Guardians of the Ashen Wastes | AethericArtisan | C Major | 4 | 8B | 109 BPM | ||
| Saucepan Handle | Night Toy Orchestra | B♭ Major | 2 | 6B | 67 BPM | ||
| Manhattan After Dark | The 50th Floor | E♭ Major | 0 | 5B | 102 BPM | ||
| A Window to Nowhere | León Areíto | D Minor | 7 | 7A | 193 BPM | ||
| Bourbon Garden | Cubalibre Jazz | B♭ Minor | 1 | 3A | 114 BPM | ||
| Last Train Swing | Diner Express | G Major | 2 | 9B | 111 BPM | ||
| Oo Bla Dee | Junior Mance | G Major | 2 | 9B | 101 BPM | ||
| Mid-City Elegance | Maison de Jazz | C Major | 1 | 8B | 72 BPM |