"Ora Pro Mi: In" by Lee Johnson, London Symphony Orchestra, Sam Skelton, Jack Gallup, Steve Cunningham, Adam Nitti, Scott Meeder, Sammy Figueroa had its release date on 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lee Johnson, London Symphony Orchestra's "Johnson: The Symphonic Series III: Symphony No. 4: Seaside Symphony / Ora Pro Mi" album is number 6 out of 10. In terms of popularity, Ora Pro Mi: In is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ora Pro Mi: In by Lee Johnson, London Symphony Orchestra, Sam Skelton, Jack Gallup, Steve Cunningham, Adam Nitti, Scott Meeder, Sammy Figueroa to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6. Bulldogs And Pom Poms | Lee Johnson, London Symphony Orchestra | E Major | 6 | 12B | 110 BPM | ||
| Pain | Alken Menses, Alk Mezain | D Major | 3 | 10B | 90 BPM | ||
| Shipwreck | Sabir Babayev, Strelka | C Major | 2 | 8B | 76 BPM | ||
| Extrema ratio | Corpus Dominix | D Minor | 7 | 7A | 78 BPM | ||
| Stars over Me | Sibille Crawford, Neon Lilith, Janette Vuridon, Royal Philarmonic Cunes | B Major | 2 | 1B | 144 BPM | ||
| Pink | Umonar | G Major | 3 | 9B | 180 BPM | ||
| Echoes of Silk | 夜叉箏 | F♯ Minor | 0 | 11A | 97 BPM | ||
| Introiettare l'Io | Gangli | D Minor | 2 | 7A | 120 BPM | ||
| Le geste fatal de Jadina - Bande originale du film "Les Légendaires" | Cécile Corbel, Simon Caby | F♯ Minor | 0 | 11A | 97 BPM | ||
| It's Finally Snowing | Peder B. Helland | F♯ Minor | 0 | 11A | 97 BPM | ||
| Cuestion De Numeros | Las Guerreras | A Minor | 3 | 8A | 77 BPM | ||
| He Hopes Hes Charming | Brittanni Kia, Ernesto Vallini, John Chen Fitzgerald, Karl Ronson Jr | F Major | 2 | 7B | 87 BPM | ||
| 1. Palette's Promise | Lee Johnson, London Symphony Orchestra | G Major | 4 | 9B | 94 BPM | ||
| So Weeps the World | Pierre-Alexandre Monin | C Minor | 2 | 5A | 82 BPM | ||
| Cedant Ama Togae | Corpus Dominix | E Minor | 1 | 9A | 98 BPM | ||
| The Lost Kingdom | Cinemantica | D Major | 1 | 10B | 116 BPM | ||
| Fantasies on a Stick | Valhalla Orquestra, Bernard Canllant | C Major | 1 | 8B | 81 BPM | ||
| Golden Brown X Love Story - Slowed & Reverb | Dave Greenfield, Hugh Cornwell, Indila Indila, Jean Jacques Burnel, Skalpovich Skalpovich, Staykul25 | F♯ Minor | 0 | 11A | 97 BPM | ||
| Hateno Village | TPR, Roxane Genot | F♯ Minor | 0 | 11A | 97 BPM | ||
| Time of Rhythm | Alberto Moggi, Giuseppe Brittanni, Ildebrand Roksherd, Royal Philarmonic Cunes | G Minor | 1 | 6A | 73 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Fauna | slowbomb | F♯ Minor | 0 | 11A | 97 BPM | ||
| Cycling - Piano & Violin | Nostalgia Dreams | F♯ Minor | 0 | 11A | 97 BPM | ||
| Steinway | Tofiq Mikayilzade, Ted Boyarskiy | F Minor | 2 | 4A | 42 BPM | ||
| Safe Haven | Phil Marcoccia | F Minor | 8 | 4A | 140 BPM |