"We Fought As a United Galaxy" by Sam Hulick had its release date on August 21, 2012. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in EA Games Soundtrack's "Mass Effect 3: Extended Cut (Original Soundtrack)" album is number 6 out of 7. On top of that, Canada appears to be the country where this track was created. We Fought As a United Galaxy is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Fought As a United Galaxy by Sam Hulick to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| River Of Life | Pawel Blaszczak | E Minor | 2 | 9A | 75 BPM | ||
| Requiem | Neil Davidge | D♭ Major | 3 | 3B | 84 BPM | ||
| A World Within A Shade | NCSOUND | E♭ Minor | 2 | 2A | 99 BPM | ||
| Getaway | Gustaf Grefberg, Sam Hulick | G Major | 9 | 9B | 145 BPM | ||
| The Mechanical Apartheid Trailer | Sascha Dikiciyan | C Minor | 4 | 5A | 160 BPM | ||
| Sonmi-451 Meets Chang | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 2 | 3B | 168 BPM | ||
| King Bran's Final Voyage | Marcin Przybyłowicz | D Minor | 2 | 7A | 75 BPM | ||
| The Impossible Astronaut | Murray Gold | D Major | 0 | 10B | 200 BPM | ||
| He Lost Everything | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 0 | 8A | 74 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Rise to the Light | Olivier Deriviere | A Minor | 6 | 8A | 76 BPM | ||
| Mass Effect 3: a Future For the Krogan/An End Once and For All | Sarah Covey, London Philharmonic Orchestra | E Minor | 1 | 9A | 78 BPM | ||
| And Away We Go | Michael McCann | F♯ Minor | 4 | 11A | 100 BPM | ||
| Close Encounter | Tilman Sillescu | D♭ Major | 9 | 3B | 120 BPM | ||
| The Last Flame | Piotr Musiał | F Minor | 2 | 4A | 70 BPM | ||
| Emerald Vale | Justin E. Bell | A♭ Major | 2 | 4B | 102 BPM | ||
| The Red Thread | Frida Johansson, Henrik Oja | B Minor | 3 | 10A | 96 BPM | ||
| The Sigils of Our Name | Damjan Mravunac | E Minor | 1 | 9A | 72 BPM | ||
| Two Worlds II - Theme | Two Worlds II | A Minor | 3 | 8A | 179 BPM | ||
| Beautiful Mirage - The Vision Fades | Ludvig Forssell | C Minor | 1 | 5A | 73 BPM | ||
| Moth, Butterfly, and Torchbug | Brad Derrick | G Major | 1 | 9B | 90 BPM | ||
| The Land of Remembrance | Hyperduck Soundworks | D Major | 1 | 10B | 115 BPM | ||
| Tension Rising | Christopher Lennertz | A♭ Major | 1 | 4B | 106 BPM | ||
| Elizabeth's Theme (From 'Bioshock Infinite') - Piano Instrumental | Thematic Pianos | C Major | 4 | 8B | 91 BPM | ||
| Greatwood | Danny Elfman & Russell Shaw | B Minor | 2 | 10A | 79 BPM |