MAST, The Koreatown Oddity's ' "Should've Swiped Left" was released on its scheduled release date, October 7, 2016. Should've Swiped Left is 2 minutes and 19 seconds long and may contain bad words that may be unsuitable for children. The track order of this song in MAST's "Love and War_" album is number 7 out of 17. On top of that, United States appears to be the country where this track was created. In terms of popularity, Should've Swiped Left is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Should've Swiped Left by MAST, The Koreatown Oddity to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beached (Intro) | Mackwood | A♭ Major | 4 | 4B | 153 BPM | ||
| (soup) | Jameszoo, Metropole Orkest, Jules Buckley | A Minor | 5 | 8A | 112 BPM | ||
| Make Me Dance, Make Me Dance | Heernt, Neal Persiani, Mark Guiliana | B Major | 4 | 1B | 120 BPM | ||
| Monkfish | Get The Blessing | A Major | 6 | 11B | 99 BPM | ||
| Seven Sons of Björn | GoGo Penguin | F Minor | 6 | 4A | 84 BPM | ||
| Turtle Tricks | Makaya McCraven, Miguel Atwood-Ferguson, Carlos Niño, Josh Johnson, Anna Butterss, Jeff Parker | F♯ Major | 5 | 2B | 99 BPM | ||
| Mo' Wiser | Sons Of Kemet | B Minor | 8 | 10A | 89 BPM | ||
| Luce Tonight | KLYRA | F Major | 6 | 7B | 91 BPM | ||
| Zigzagger | Takuya Kuroda | F♯ Minor | 8 | 11A | 110 BPM | ||
| Clara and the High Place Phenomenon | Sean Wolcott | E♭ Minor | 8 | 2A | 160 BPM | ||
| This Is Not Fear | Robert Glasper Experiment | G Minor | 7 | 6A | 93 BPM | ||
| The 2nd Coming of Homunculus | Reinier Baas | E Major | 6 | 12B | 136 BPM | ||
| Closing | Cassie Kinoshi, seed. | B♭ Major | 2 | 6B | 85 BPM | ||
| Ganska Långt Ut På Vänsterkanten | Unionen | A Minor | 3 | 8A | 123 BPM | ||
| Mellowin | Tobias Quinto | C Major | 9 | 8B | 123 BPM | ||
| Go See | Joe Armon-Jones | F♯ Major | 6 | 2B | 93 BPM | ||
| GONZALEZ | Ramón Galarza´s Band, DESIDÉRIO LÁZARO, MIGUEL NORONHA DE ANDRADE | E♭ Minor | 8 | 2A | 160 BPM | ||
| The Observed | Shabaka and the Ancestors | F♯ Minor | 5 | 11A | 177 BPM | ||
| I See Myself in Me | Cassie Kinoshi, seed. | A♭ Major | 2 | 4B | 143 BPM | ||
| Contemplation | Nubya Garcia | A♭ Major | 4 | 4B | 112 BPM | ||
| Nutty | MAST, Makaya McCraven, Dan Rosenboom, Gavin Templeton | B♭ Major | 9 | 6B | 129 BPM | ||
| Sin Zapatos | Melinda Sullivan, Larry Goldings | B♭ Major | 3 | 6B | 132 BPM | ||
| Slam Dunk in a Black Hole | The Comet Is Coming | E Minor | 5 | 9A | 89 BPM | ||
| (To) Know Where You're Coming From | Joe Armon-Jones | C Minor | 7 | 5A | 100 BPM | ||
| Orange Crush | Walter Smith III, Matthew Stevens, Kris Davis, Dave Holland, Terri Lyne Carrington | C Major | 1 | 8B | 136 BPM |