National Symphony Orchestra's 'Entr'acte' had a release date set for March 14, 2006. With This song being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Showboat: First Complete Recording Of The 1946 Revised Version (1946 Version)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Entr'acte's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Entr'acte by National Symphony Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
| Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 125 BPM | ||
| Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Prologue | National Symphony Orchestra | E Major | 4 | 12B | 139 BPM | ||
| Under the Stars: Under the Stars | Eric Coates, BBC Philharmonic, John Wilson | D Minor | 1 | 7A | 93 BPM | ||
| The New Four Seasons - Spring: II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
| Madama Butterfly / Act 2: Humming Chorus | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | B♭ Major | 0 | 6B | 71 BPM | ||
| Humoresque | London Festival Symphony Orchestra | A Minor | 9 | 8A | 113 BPM | ||
| Shostakovich: Symphony No. 1 in F Minor, Op. 10: II. Allegro | Dmitri Shostakovich, Mstislav Rostropovich, National Symphony Orchestra | E♭ Major | 2 | 5B | 167 BPM | ||
| Ent'racte | National Symphony Orchestra | F Minor | 2 | 4A | 83 BPM | ||
| El Cid (March) | City Light Symphony Orchestra | G Major | 0 | 9B | 59 BPM | ||
| Dance of the Comedians from the Bartered Bride (Live) | Shen Yun Symphony Orchestra | A Minor | 2 | 8A | 135 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | G Major | 0 | 9B | 59 BPM | ||
| Middlemarch | Stanley Myers | F Major | 2 | 7B | 87 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: Finale (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | B♭ Major | 4 | 6B | 79 BPM | ||
| Overture | National Symphony Orchestra | A♭ Major | 2 | 4B | 142 BPM | ||
| Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
| Shostakovich: Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Mstislav Rostropovich, National Symphony Orchestra | E♭ Major | 2 | 5B | 167 BPM | ||
| Onegin's Toast (from "Onegin") | Georgiy Zheryakov, Baltic Symphony Orchestra | A Minor | 2 | 8A | 82 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune (Arr. for Orchestra by John Rutter) | Claude Debussy, John Rutter, Manchester Camerata | D♭ Major | 1 | 3B | 72 BPM | ||
| String Song (Version for Orchestra) | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | A Major | 1 | 11B | 70 BPM | ||
| Ancient Airs and Dances, Suite No. 2, P 138: III. Campanae parisienses - Aria | Ottorino Respighi, Jesús López-Cobos, Orchestre de Chambre de Lausanne | D♭ Minor | 1 | 12A | 75 BPM | ||
| The Wizard's Exposé / Emerald City Graduation / Fill-In Awards | Hollywood Cinematic Orchestra, The Wizard of Oz at Sphere | E Minor | 3 | 9A | 141 BPM |