"Puccini: Vissi d'Arte - Olivia Belli Rework" by Olivia Belli had its release date on November 29, 2024. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Puccini: Vissi d'Arte (Olivia Belli Rework) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. Puccini: Vissi d'Arte - Olivia Belli Rework is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Vissi d'Arte - Olivia Belli Rework by Olivia Belli having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cambridge 1963 (Arr. Knoth for Solo Violin & Ensemble) - From “The Theory of Everything“ | Jóhann Jóhannsson, Mari Samuelsen, Soyoung Yoon, Scoring Berlin, Jonathan Stockhammer | B♭ Major | 2 | 6B | 80 BPM | ||
| Adrift | Jacob Mühlrad | D Minor | 0 | 7A | 67 BPM | ||
| Whispering Tides | Jef Martens | A♭ Minor | 2 | 1A | 122 BPM | ||
| Suite for 2 Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| Open Fields | A. Blomqvist | B♭ Major | 2 | 6B | 135 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Warming (Mvt. 5) | Erland Cooper | C Major | 0 | 8B | 71 BPM | ||
| Beving: The Man Who Carried the Wind | Dalal | F Major | 0 | 7B | 107 BPM | ||
| Gonzales: Armellodie | Dalal | G Minor | 1 | 6A | 67 BPM | ||
| Bet Ha-Chaim | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | E♭ Minor | 0 | 2A | 81 BPM | ||
| Radiohead: Like Spinning Plates | Anastasia Kobekina, Jean-Sélim Abdelmoula | D♭ Minor | 0 | 12A | 77 BPM | ||
| In Another Life | Goldbæk | A Minor | 1 | 8A | 129 BPM | ||
| Arnalds: saman | Dalal | G Minor | 0 | 6A | 148 BPM | ||
| Nocturne No. 15 in D Minor, H. 59 “Song Without Words” | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| A Daydream in Camelot | Stephan Moccio | C Minor | 1 | 5A | 142 BPM | ||
| Gazelle | Yehezkel Raz | F Minor | 0 | 4A | 119 BPM | ||
| Lea | Olivia Belli | G Minor | 1 | 6A | 176 BPM | ||
| Track 12 | Leon Wolf, Robin Kallenberger, Louis Philippson | E♭ Major | 0 | 5B | 78 BPM | ||
| Bergamot | Dalal | E♭ Minor | 1 | 2A | 114 BPM | ||
| Anima II - Sleep Rework | Olivia Belli | E♭ Minor | 0 | 2A | 67 BPM | ||
| Giravolte - Andante Piano Sessions | Luis Berra | D Major | 0 | 10B | 133 BPM | ||
| a new romance | Alexandra Streliski | E♭ Major | 1 | 5B | 122 BPM | ||
| Aurora - Upright Piano Version | Florian Christl | E Major | 2 | 12B | 146 BPM | ||
| escaliers | Lara Somogyi, Jean-Michel Blais | F♯ Major | 0 | 2B | 71 BPM | ||
| Nocturne I | Olivia Belli | G Major | 1 | 9B | 91 BPM |