"Duet For Contrabass And Piano" by Muhal Richard Abrams had its release date on 2001. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. There are a total of 6 in the song's album "The Visibility Of Thought". In this album, this song's track order is #1. Duet For Contrabass And Piano is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Duet For Contrabass And Piano by Muhal Richard Abrams having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gleaner | Larry Grenadier | D Major | 0 | 10B | 90 BPM | ||
| Summertime | Elvin Jones, Richard Davis | A Major | 1 | 11B | 83 BPM | ||
| Just Blue | The Don Rendell / Ian Carr Quintet | C Minor | 2 | 5A | 116 BPM | ||
| Manhattan (Original Mix) | George Russell | G Major | 3 | 9B | 124 BPM | ||
| G.W. | Eric Dolphy Quintet | A♭ Major | 7 | 4B | 106 BPM | ||
| Big Stuff | Gil Evans | A Major | 1 | 11B | 172 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| A.I.R. | Jan Garbarek, Bobo Stenson Quartet | D Major | 3 | 10B | 152 BPM | ||
| The Rough Places Plain | Oregon | G Minor | 1 | 6A | 174 BPM | ||
| Hi-Fly | Randy Weston | F Major | 6 | 7B | 124 BPM | ||
| lluvia | Karen Zarate | D Major | 3 | 10B | 108 BPM | ||
| John Coltrane | Clifford Jordan | E Minor | 4 | 9A | 112 BPM | ||
| Concerto for Billy the Kid | George Russell | F Minor | 5 | 4A | 138 BPM | ||
| Evidence | Steve Lacy, Don Cherry | A♭ Major | 3 | 4B | 109 BPM | ||
| Between Me And Myself - Live At The Newport Jazz Festival, 1957 | Toshiko Akiyoshi | B♭ Minor | 3 | 3A | 97 BPM | ||
| Harlem | Paul Bley | B♭ Minor | 3 | 3A | 127 BPM | ||
| It Should've Happened A Long Time Ago | Paul Motian Trio | F♯ Minor | 2 | 11A | 117 BPM | ||
| A Child Is Born | Chico Freeman, Cecil McBee, John Hicks, Billy Hart | B♭ Major | 1 | 6B | 173 BPM | ||
| I Lost My Step in Nantucket | The Stan Tracey Quartet | F Minor | 5 | 4A | 118 BPM | ||
| Just For Now - Instrumental | The Montgomery Brothers | F Minor | 4 | 4A | 138 BPM | ||
| Jana's Delight | Don Pullen | D♭ Major | 3 | 3B | 96 BPM | ||
| Concorde | Gil Evans | A♭ Major | 4 | 4B | 101 BPM | ||
| Continuum | Rainer Brüninghaus, Markus Stockhausen, Fredy Studer | D Major | 3 | 10B | 122 BPM | ||
| I'll Be Seeing You | Tony Fruscella | B♭ Major | 1 | 6B | 63 BPM | ||
| Roots | Muhal Richard Abrams | G Major | 3 | 9B | 130 BPM |