Wendy Rene's ' "After Laughter (Comes Tears)" was released on its scheduled release date, February 10, 2012. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 22 in After Laughter Comes Tears: Complete Stax & Volt Singles + Rarities (1964-65) by Wendy Rene. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, After Laughter (Comes Tears) is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of After Laughter (Comes Tears) by Wendy Rene is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Try a Little Tenderness | Otis Redding | C Major | 8 | 8B | 80 BPM | ||
| It's Better To Have It | Barbara Lynn | A Minor | 4 | 8A | 99 BPM | ||
| I'll Run Your Hurt Away | Ruby Johnson | F Major | 3 | 7B | 151 BPM | ||
| The Greatest Love | Lee Dorsey | C Major | 2 | 8B | 77 BPM | ||
| Have You Been Good to Yourself | Johnnie Frierson | D Major | 2 | 10B | 90 BPM | ||
| Gypsy Woman - Demo Version | Joe Bataan | D♭ Major | 7 | 3B | 118 BPM | ||
| But It Comes Out Mad | Camille Yarbrough | B♭ Minor | 4 | 3A | 154 BPM | ||
| Soulful Dress | Sugar Pie DeSanto | G Minor | 5 | 6A | 88 BPM | ||
| Crowded Park | Wendy Rene | D♭ Minor | 4 | 12A | 113 BPM | ||
| Let My People Go | Darondo | F Major | 4 | 7B | 81 BPM | ||
| Am I a Good Man | Them Two | E♭ Minor | 7 | 2A | 174 BPM | ||
| A Quiet Place | Garnet Mimms & The Enchanters | G Minor | 4 | 6A | 106 BPM | ||
| Morning Sun | Al Barry | D♭ Minor | 4 | 12A | 113 BPM | ||
| Every Boy and Girl | Lee Moses | C Minor | 4 | 5A | 86 BPM | ||
| In the Night | Saun & Starr | A♭ Major | 4 | 4B | 98 BPM | ||
| Who Is He (And What Is He to You)? | Bill Withers | D♭ Minor | 3 | 12A | 99 BPM | ||
| Since I Fell For You | Fontella Bass | G Major | 3 | 9B | 105 BPM | ||
| I'm Lonely For You | Bettye Swann | A Minor | 4 | 8A | 103 BPM | ||
| Remember Me | The Trinikas | G Minor | 5 | 6A | 97 BPM | ||
| I'm Just a Prisoner (Of Your Good Lovin') | Candi Staton | A Major | 5 | 11B | 113 BPM | ||
| Down in Mexico | The Coasters | D♭ Major | 6 | 3B | 112 BPM | ||
| True | Darondo | F Major | 4 | 7B | 81 BPM | ||
| Don't Play That Song | Jackie Shane | F Major | 7 | 7B | 96 BPM | ||
| Words to My Song | Dry Bread | D♭ Minor | 9 | 12A | 93 BPM | ||
| Try Me | Esther Phillips | B Minor | 3 | 10A | 151 BPM |