Ramin Djawadi's ' "Leaving the Delta" was released on its scheduled release date, April 3, 2020. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 22 in Elephant (Original Soundtrack) by Ramin Djawadi. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Leaving the Delta's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Leaving the Delta by Ramin Djawadi is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ender's War | Steve Jablonsky | A♭ Major | 2 | 4B | 170 BPM | ||
| The Leftovers (Main Title Theme) | Max Richter | G Minor | 3 | 6A | 98 BPM | ||
| Many Meetings | Howard Shore | C Major | 1 | 8B | 65 BPM | ||
| Kingdom Of Atlantis | Rupert Gregson-Williams | C Minor | 3 | 5A | 109 BPM | ||
| Bayek of Siwa | Sarah Schachner, Assassin's Creed | F Major | 8 | 7B | 95 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| The Way (Instrumental) | Zack Hemsey | F Minor | 4 | 4A | 124 BPM | ||
| Leap Of Faith | Jed Kurzel | D♭ Major | 6 | 3B | 90 BPM | ||
| Norman | Steven Price | B♭ Major | 5 | 6B | 120 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| I've Known Everything | Jeff Beal | C Minor | 2 | 5A | 123 BPM | ||
| Journey to the Caves | Daniel Pemberton | E Major | 7 | 12B | 94 BPM | ||
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| Binary Sunset (Reimagined) [From Star Wars Episode IV: A New Hope] | Daniel Ciurlizza | C Minor | 3 | 5A | 114 BPM | ||
| The Journey to the Grey Havens (feat. Sir James Galway) | Howard Shore | A Major | 0 | 11B | 70 BPM | ||
| Kaer Morhen | Marcin Przybyłowicz | D Minor | 3 | 7A | 140 BPM | ||
| The Last of the Starks | Ramin Djawadi | C Minor | 3 | 5A | 120 BPM | ||
| From Nothing Comes a King | Daniel Pemberton | D Major | 0 | 10B | 90 BPM | ||
| Snape to Malfoy Manor | Alexandre Desplat | D Major | 5 | 10B | 63 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Jedi Eulogy | Kevin Kiner, Takeshi Furukawa | E♭ Major | 3 | 5B | 116 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| Fire And Blood - From The "Game Of Thrones" Soundtrack | Ramin Djawadi | D♭ Major | 3 | 3B | 180 BPM | ||
| Two Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM |