On April 7, 2017, the song "Should've Been You" was released by Imelda May. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Imelda May's "Life Love Flesh Blood" album is number 3 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Should've Been You's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Should've Been You by Imelda May to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Am a Hill | The Whileaways | F Major | 2 | 7B | 110 BPM | ||
| Let's Work It Out | Texas | G Major | 9 | 9B | 104 BPM | ||
| That's When He Told Her | The Proclaimers | G Major | 5 | 9B | 110 BPM | ||
| Only Fooling | Teddy Thompson, Kelly Jones | A Major | 5 | 11B | 93 BPM | ||
| Proud and Humble - Steve Osborne Mix | Imelda May | C Minor | 9 | 5A | 183 BPM | ||
| Get in Line | Ron Sexsmith | E♭ Major | 8 | 5B | 148 BPM | ||
| Please Read The Letter | Robert Plant, Alison Krauss | A Major | 5 | 11B | 143 BPM | ||
| Sincerely | Elise LeGrow | G Major | 7 | 9B | 99 BPM | ||
| I Bet You Look Good On The Dancefloor | Anton Du Beke | D Major | 8 | 10B | 101 BPM | ||
| So Good to Be Back Home Again | The Tourists | G Major | 6 | 9B | 142 BPM | ||
| Space | Harleymoon Kemp | A♭ Major | 8 | 4B | 118 BPM | ||
| Rat Trap | The Boomtown Rats | E Minor | 9 | 9A | 141 BPM | ||
| Brave Face | Beth Rowley | E Major | 6 | 12B | 130 BPM | ||
| Rumble Doll | Patti Scialfa | B♭ Major | 4 | 6B | 109 BPM | ||
| After You're Gone | The Proclaimers | B♭ Major | 5 | 6B | 152 BPM | ||
| Dance for Evermore | Si Cranstoun | G Major | 8 | 9B | 140 BPM | ||
| Captured | Brian Kennedy | A Major | 7 | 11B | 99 BPM | ||
| Molly Malone | Dervish, Imelda May | C Major | 1 | 8B | 109 BPM | ||
| Afterglow | Harriet | D Major | 3 | 10B | 138 BPM | ||
| Magnificent Time | Travis | C Major | 8 | 8B | 126 BPM | ||
| Dear My Maker | The Whileaways | C Major | 3 | 8B | 96 BPM | ||
| Hold Me (with Maggie Bell) | BA Robertson, Maggie Bell | D Major | 9 | 10B | 128 BPM | ||
| Labelled With Love | Squeeze | E Major | 2 | 12B | 93 BPM | ||
| Look But Don't Touch | Shirley Bassey | D♭ Minor | 7 | 12A | 144 BPM | ||
| Not Like Loving You | Nell Bryden | A♭ Major | 5 | 4B | 174 BPM |