Stockholm January 2005
The Charade, Ingela Matsson, Mikael Matsson, Magnus Karlsson
The Best Is Yet To Come
4:35 July 25, 2006
BPM
98
Key
B Major
Camelot
1B

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Stockholm January 2005 by The Charade, Ingela Matsson, Mikael Matsson, Magnus Karlsson Song Details

The Charade, Ingela Matsson, Mikael Matsson, Magnus Karlsson's ' "Stockholm January 2005" was released on its scheduled release date, July 25, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "The Best Is Yet To Come". In this album, this song's track order is #11. In terms of popularity, Stockholm January 2005 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With Stockholm January 2005 by The Charade, Ingela Matsson, Mikael Matsson, Magnus Karlsson having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.588 dB
Acousticness
77%
Danceability
65%
Energy
41%
Instrumentalness
9%
Liveness
10%
Loudness
84%
Speechiness
3%
Valence
63%

Recommendations

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records