- BPM
- 96
- Key
- B Minor
- Camelot
- 10A
Tiefland: Act I Scene 10: Was suchst du noch, Moruccio? (Sebastiano, Moruccio, Tomasso) by Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, Bertrand de Billy Song Details
"Tiefland: Act I Scene 10: Was suchst du noch, Moruccio? (Sebastiano, Moruccio, Tomasso)" by Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, Bertrand de Billy had its release date on January 1, 2003. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 1 out of 25 in Albert, E.: Tiefland (Complete) by Eugen d'Albert, Bertrand de Billy. In terms of popularity, Tiefland: Act I Scene 10: Was suchst du noch, Moruccio? (Sebastiano, Moruccio, Tomasso) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Tiefland: Act I Scene 10: Was suchst du noch, Moruccio? (Sebastiano, Moruccio, Tomasso) by Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, Bertrand de Billy is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.637 dB
- Acousticness
- 89%
- Danceability
- 31%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 24%
- Loudness
- 66%
- Speechiness
- 6%
- Valence
- 13%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 2 in E Major, Op. 12: IV. Wie vorher. Crotchet – Dotted Crochet | Eugen d'Albert, Piers Lane, BBC Scottish Symphony Orchestra, Alun Francis | E Major | 2 | 12B | 137 BPM | |
 | The Seasons, Op. 37a: I. January. Au coin du feu. Moderato semplice ma espressivo | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | B Minor | 4 | 10A | 75 BPM | |
 | Andante in E-Flat Major, MWV U165 | Felix Mendelssohn, Howard Shelley | E♭ Major | 0 | 5B | 153 BPM | |
 | Xàfec de Llum I Tenebres: VII. Vayamos | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | |
 | Arabesque No. 1, Op. 61 | Cécile Chaminade, Nareh Arghamanyan | G Major | 1 | 9B | 70 BPM | |
 | 24 Preludes and Fugues Op. 87: No. 5, in D Major: Prelude | Dmitri Shostakovich, Yulianna Avdeeva | G Major | 0 | 9B | 122 BPM | |
 | Soirees De Vienne, S. 427: No. 1, Waltz Caprice | Franz Schubert, Franz Liszt, Eugen d'Albert, Peter Phillips | B Minor | 1 | 10A | 74 BPM | |
 | Lohengrin (Arr. For Piano by Leopold): Act I Excerpts - Duo-Art 71790 | Richard Wagner, Peter Phillips, Ralph Leopold | E Major | 0 | 12B | 92 BPM | |
 | Romance Sans Paroles, Op. 17 No. 3 - Duo-Art 5659 | Gabriel Fauré, Ossip Gabrilowitsch, Peter Phillips | D♭ Major | 0 | 3B | 81 BPM | |
 | Beethoven: Piano Sonata No. 17 in D Minor, Op. 31 No. 2 "The Tempest": III. Allegretto | Ludwig van Beethoven, Lili Kraus | D♭ Major | 0 | 3B | 81 BPM | |
 | Tiefland: Act I Scene 1: Sag' uns doch, ist es wahr? (Pepa, Antonia, Rosalia, Moruccio) | Eugen d'Albert, Lisa Gasteen, Johan Botha, Falk Struckmann, Kwangchul Youn, Adriane Queiroz, Raymond Very, Jochen Schmeckenbecher, Anna Maria Pammer, Beatrice Petitet-Kircher, Ulrike Pichler-Steffen, Wiener Singakademie, Vienna Radio Symphony Orchestra, B | G Major | 1 | 9B | 95 BPM | |
 | String Quintet No. 2 in G Major, Op. 111: III. Un poco allegretto | Johannes Brahms, Bartholdy Quintett | G Minor | 1 | 6A | 76 BPM | |
 | Piano Concerto No. 2 in E Major, Op. 12: Ia. Mässig bewegt - | Eugen d'Albert, Karl-Andreas Kolly, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Ronald Zollmann | E Major | 0 | 12B | 138 BPM | |
 | Haydn: String Quartet in D Major, Op. 76 No. 5, Hob. III:79: IV. Finale. Presto | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | |
 | Linterna mágica, Op. 101: II. El Misterio del Jardín | Joaquín Turina, Jordi Masó | E Major | 0 | 12B | 77 BPM | |
 | 3 Miniature Pieces: No. 2. Prelude | Mirrie Hill, Jeanell Carrigan | A♭ Major | 0 | 4B | 75 BPM | |
 | Paderewski: 6 Humoresques de concert, Op. 14, Cahier I "À l'antique": No. 1, Menuet célèbre | Ignacy Jan Paderewski, Mariam Batsashvili | G Major | 1 | 9B | 106 BPM | |
 | Piano Sonata in G Minor, Op. 105, MWV U30: III. Presto | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | |
 | Pictures at an Exhibition: Limoges, Le Marché (La Grande Nouvelle) | Modest Mussorgsky, Juan Francisco Otón | C Major | 2 | 8B | 91 BPM | |
 | Tiefland, Op. 34: Act I, Scene 8: "Tu mit mir, was du willst" | Eugen d'Albert, Staatskapelle Dresden, Paul Schmitz, Hannelore Kuhse, Ernst Gutstein | D♭ Major | 1 | 3B | 107 BPM | |
 | 6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | |
 | 24 Preludes, Op. 37, BV 181: No. 1 in C Major | Ferruccio Busoni, Holger Groschopp | F Major | 0 | 7B | 69 BPM | |
 | Le piège de Méduse | Erik Satie, Dario Müller | B♭ Major | 1 | 6B | 82 BPM | |
 | Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Jaeden Izik-Dzurko | G Minor | 2 | 6A | 72 BPM | |
 | Elegia | Aldo Melli, Carlo Balzaretti | A Major | 1 | 11B | 133 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records