"This Ends Here" by Mike Zarin, Tony Hajjar had its release date on August 20, 2013. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. This Ends Here's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Splinter Cell Blacklist (Original Game Soundtrack)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Canada. Based on our statistics, This Ends Here's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With This Ends Here by Mike Zarin, Tony Hajjar having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Welcome to the Trash Coast | Raison Varner | D♭ Major | 6 | 3B | 130 BPM | ||
| Unknown Quantities | Ben Frost | D♭ Major | 7 | 3B | 107 BPM | ||
| Running Out Of Time | Adam Peters | C Major | 2 | 8B | 191 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| The Beetfield | Steven Price | D♭ Major | 3 | 3B | 140 BPM | ||
| Package Is Secure | Mike Zarin, Tony Hajjar | F♯ Major | 8 | 2B | 163 BPM | ||
| Left Behind | Adam Schneider | D Major | 2 | 10B | 180 BPM | ||
| Dinner with Sasha | James Dooley | B♭ Minor | 7 | 3A | 100 BPM | ||
| I'm Counting On You Jim...One Last Time | Christopher Drake | D♭ Major | 3 | 3B | 172 BPM | ||
| No Respite | Cliff Martinez | E Minor | 9 | 9A | 140 BPM | ||
| Train and Hunt | Blake Neely | C Major | 4 | 8B | 141 BPM | ||
| Sentient Tombs | Keith Power | G Major | 8 | 9B | 114 BPM | ||
| Shutdown | Evan Royalty | F Major | 10 | 7B | 180 BPM | ||
| Deathstroking / Creating an Army With a Needle | Blake Neely | A♭ Minor | 1 | 1A | 67 BPM | ||
| The Blood Ravens | Cris Velasco, Sascha Dikiciyan | A Major | 9 | 11B | 96 BPM | ||
| Harvey | Christopher Drake | D♭ Minor | 7 | 12A | 128 BPM | ||
| The Research Base | Michael Nielsen, Kaveh Cohen | D Major | 4 | 10B | 131 BPM | ||
| When He Wakes Up | Ryan Amon | C Major | 0 | 8B | 88 BPM | ||
| Thousand Cuts Combat | Sascha Dikiciyan, Cris Velasco | E Minor | 5 | 9A | 120 BPM | ||
| Step Aboard | Ryan Amon | A♭ Major | 3 | 4B | 110 BPM | ||
| Not Our Problem | Harry Gregson-Williams | C Major | 2 | 8B | 106 BPM | ||
| Battle for the Future | Sascha Dikiciyan | C Minor | 8 | 5A | 150 BPM | ||
| Their Thrones Become Electric Chairs | Dan Romer | D♭ Minor | 9 | 12A | 108 BPM | ||
| Downforce | Kaveh Cohen, Michael Nielsen | E Minor | 8 | 9A | 145 BPM |