Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè's 'Pagliacci / Act 2: "Presto, affrettiamoci"' had a release date set for December 3, 1978. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè's "Leoncavallo: Pagliacci" album is number 12 out of 17. In terms of popularity, Pagliacci / Act 2: "Presto, affrettiamoci" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 2: "Presto, affrettiamoci" by Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tristan und Isolde, WWV 90 / Act 1: "Tristan! - Isolde! Treuloser Holder!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Wolfgang Windgassen, Eberhard Waechter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 5 | 8B | 94 BPM | ||
| Leoncavallo : Pagliacci : Act 1 "Recitar!" [Canio] | Ruggero Leoncavallo, José Cura, Philharmonia Orchestra | E Minor | 2 | 9A | 88 BPM | ||
| Madama Butterfly / Act 2: Come una mosca prigionera | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 137 BPM | ||
| La Gioconda / Act 3: Vieni! Lasciami! ohimè! | Amilcare Ponchielli, Sherrill Milnes, Alfreda Hodgson, Montserrat Caballé, Nicolai Ghiaurov, Luciano Pavarotti, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 3 | 7B | 91 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| La traviata / Act 2: "Lunge da lei...De' miei bollenti spiriti" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 82 BPM | ||
| Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
| Lucia di Lammermoor / Act 1: "Cruda, funesta smania" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 3 | 8B | 70 BPM | ||
| Mattinata | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch | E♭ Major | 2 | 5B | 172 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Tornami a dir che m'ami" (Norina, Ernesto) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Mirella Freni, Philharmonia Orchestra | A Major | 0 | 11B | 80 BPM | ||
| Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres, Ernst Märzendorfer | D♭ Major | 6 | 3B | 97 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Va, crudele, al Dio spietato | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
| Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
| Tosca, Atto I: "Recondita armonia" | Giacomo Puccini, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Antonio Pirozzi | F Major | 2 | 7B | 116 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Viene la sera" (Pinkerton, Butterfly) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 1 | 11B | 82 BPM | ||
| L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" | Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F Minor | 2 | 4A | 122 BPM | ||
| L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Donizetti: Don Pasquale, Act 3: "Via, caro sposino" (Norina, Pasquale) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 3 | 8B | 120 BPM | ||
| La Bohème / Act 4: "Sono andati" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F Major | 1 | 7B | 75 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Neil Shicoff, Sarah Walker, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 87 BPM | ||
| La Gioconda / Act 1: Carneval! Baccanal! | Amilcare Ponchielli, Rodney Macann, Montserrat Caballé, Alfreda Hodgson, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | D♭ Major | 2 | 3B | 77 BPM |